“Dry Bodies” is an assemblage of ceramic objects that speculate about an inconceivable time. The amount of materials for production has been reduced to an absolute minimum to reflect on a threatening scarcity of resources. Instead of using malleable clay, wild kaolin and feldspar (except the red platter) were used for clay-body and glaze. The cracked platters have been fixed with old beer bottles and cans. Limitation of the materials of production complicates the technical feasibility and has a major impact scale and shape.
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