“dias En Vela” Candleholders
by Popdots Studio Mexico

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  • This is One of a kind
    How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

” DIAS EN VELA” (Infinite objects)

A series of 10 handmade candleholders where the evolution of technique and object, go hand in hand with their making, refining the technique, challenging the craftsman and turning the figure into a blank canvas every time.
The series, accompanied by hand-turned candles communicates that the ephemeral pieces are an extension of the durable ones.

set of 10 pieces / various aprox sizes
3 MINI 6 x 5 CM
3 SMALL 6 X 15 CM
2 MEDIUM 6 X 22 CM
2 LARGE 2 X 30 CM
INFO: includes 10 wheelthrown 30 CM candles

“We like to think that the material contains freedom by itself and in the act of creation, each object is born under the same creative concept, but they all have different aspects and are endowed with unique characteristics.
So all our objects will always be made to order and with different features from those shown in the photographs.”

The sets can be requested in sand, terracotta, brown, white, black, or marbled tones. It is also possible to make color mixes within a set of 10 pieces.

Dimensions LxWxH
Weight (kg)

7

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About Popdots Studio Visit Showroom →

Ceramic studio that blends curiosity and handwork. Since 2012 Melissa Aldrete and Luis Cárdenas have been working with the purpose of studying, analyzing and finding the best adaptation of the past with the present, in order to aspire to the constant improvement of the things and/or activities that surround us, coexist and grow at the pair of a society. In our practice we maintain the philosophy and the trade to be able to advance quickly, but without haste, and thus keep ourselves in constant reflection with the material, the being and our environment. The material in our practice guides our process. Clay is a material that makes you aware of concepts such as time, transformation, progress, history, nature, weather. It marks the rhythm between doing and thinking, which nourishes the development of the projects that are born in the workshop. Experimentation is our work process. It has taught us to share and to give ourselves entirely to the process in order to maintain the eternal personal and material search, in order to connect new possibilities that help its understanding, adaptation and perpetuity.
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