Blue Triple A45 Bench
by Parafernalia Mexico

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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
  • Can be customized upon request
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Description

The triple A45 bench in shades of blue by Parafernalia is a one of a kind, unique piece, commissioned for a booth show at Zona Maco 2025 in Mexico City for Elle Decoration. It’s a variation of the A45 chair which was the first piece that resulted from the A45 system, a constructive exploration that focuses on utilizing prefabricated materials, more specifically square profile tubing, which is then rotated at a 45 degree angle.

The piece takes advantage of the rotated disposition of the tubing to create angles from which the curved backrest and seat are born, which are then mechanically fixed to the structure using aluminum rivets, this allows for the finish of the structure and the surfaces to vary, in the case of this piece utilizing two distinct shades of blue for the seating and stricture. The cantilever nature of the chair, combined with the angles of the seating surfaces result in a surprisingly comfortable seating experience, in part due to the bouncy characteristic afforded to even the hardest of materials when placed in a cantilevered disposition.

This piece in these colors is a unique edition, but this same piece can be ordered in different colors or combinations, just send us a message if you’d like to commission one.

Dimensions LxWxH
Weight (kg)

28

Production Year

Material

Discipline

Color

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Design Class

About Parafernalia Visit Showroom →

Parafernalia is a total design studio based between Monterrey and CDMX, formed by Sebastián Zorrilla and Genki Matsumura, which has been formally operating since 2021. The formation of the project was driven by a mutual interest in exploring and analyzing cultural contexts through material discourses that offer critical perspectives, executed in a conscious manner. The practice we have developed has been a process of empirical learning, involving getting in touch as much as possible with the processes involved in creating an object, and the factors that make it such, as well as the processes involved in the narrative development of an idea. All of this has been highly important for the way we work. Knowing not only the production limitations of a particular material but also the systems that govern it, the predetermined units and dimensions already commercially available, and even knowing the physical and chemical limitations of a specific material and how these can be used to your advantage. Our work lies in the reconsideration of scales, in order to subsequently try to articulate within the degrees of freedom that this affords us.
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