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Abstract Form Study in Black (Object 4)

Abstract Form Study in Black (Object 4)
by George William Bell Denmark

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Abstract Form Study in Black (Object 4)

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Abstract Form Study in Black (Object 4)

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Abstract Form Study in Black (Object 4)

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Description

The “Abstract Form Studies” series is a collection of objects which are intrinsically linked through their process, involving a unique forming technique which allows for the generation of abstract form shapes. Thus, inviting the material to define its own perimeters through the opposing forces of expansion from within and the natural cooling process of glass. The resultant forms are the expression of a unique set of circumstances made permanent.

Dimensions LxWxH	39x29x30cm (15x11x12'')
Weight (kg)	7.5
Production Year	2020
Material	Blown Glass, Bronze Metal Waste
Discipline	Glassblowing
Color	Black With Oxidized Metal
Design Class	Unique Pieces

About George William Bell Visit Showroom →

George William Bell’s work stands on the fine line between fine art, craft and design with material investigation and innovation at its core. His personal artistic exploration has entered a paradoxical paradigm in which craftsmanship and artistic intent work in collaboration with the possibilities inherent in self-governing form. Exploring autonomous, self-generative aesthetics, material possibilities come into being which hold the power of tactical form in flux. G. William Bell’s work looks to the future of the handmade object, a future in which boundaries are blurred, and ingrained belief systems are challenged. Bell’s work has been exhibited widely, featuring in several high profile international exhibitions including New Glass Now, at Corning Museum of Glass (New York), The European Award for Applied Arts (Mons, Belgium) as well as Glass is Tomorrows touring exhibition (Stockholm, Milan, London) amongst others. He has received awards from Danske Kunsthåndværkere & Designere, Ung Svensk Form, and the Stanislav Libensky Award.