Vases for Your Valentine that Speak to the Heart

This brutalist piece by twig & beetle, was thrown on the wheel with a groggy iron packed clay body. Wet trimmed on the wheel, the spikes were then hand formed and attached. The vessel was finished with an oxide and gold shino to create the ultimate metallic effect.

The Katchka Vase by Studio Bovti invites viewers to engage in a personal exploration of form and meaning. Designed to evoke a sense of playful ambiguity, the vase sparks diverse interpretations—some may see the whimsical silhouette of a little duck, while others are reminded of something childlike and nostalgic. The true magic of the Katchka Vase lies in its ability to interact harmoniously with the floral arrangements it holds. The composition of flowers finds freedom within the vase’s form, creating a dynamic interplay between nature and design. Together, the flowers and vase form a cohesive whole, each element complementing the other to create a radiant, unified expression.

The vase ‘ Underneath Me ‘ by Federica Zama is is inspired in its decoration by the Art Noveau ceramics on display in the Faenza Ceramics Museum MIC and in the shape of the female body.

It recalls a woman’s body: sinuous, draped, and perfumed. The robe does not envelop it completely; it leaves parts covered with tiny flowers uncovered. The tenderness is evoked by the decoration of flowers. It is my way of paying homage to my city’s new femininity and artistic tradition, reinterpreting it with the most innovative materials and techniques.

Ossa is a Collection of Sculptural Vases entirely crafted and decorated by hand. The ceramic pieces have been modeled together by Chiara and Francesco (ccontinua+mamt) simultaneously sculpting them.
Expanding the storytelling on a volumetric dimension, this hand building technique allows to achieve an enduring sense of malleability, and the resulting forms appear to be in a constant state of flux, resembling “unfinished” animal creatures.
The porcelain’s surface treatment evokes the texture of bone, while the glossy finish accentuates their volumes.

This object is made with Ella Einhell’s self developed BOcNEGLASS. A zero waste glass made from combining glass grinding sludge and discarded animal bones. The animal bones are sourced from small bio farmers with ethical husbandry to support them in the fight against the mass slaughter industry.

Each object is shaped by blowing the boneglass into a mold made from animal bones, such as pigs shoulder blades or the jaws of wild bores. This way, the vases are formed and unwanted bones are given a new life. Like every animal and bone, each object is unique and can not be repeated. Shades range from white, to brown, to blue and green. Enhell’s work aims to support local craftmenship and takle problems such as resource waste and industrial waste.

The 105 Ltr Forms by Vogel Studio are a testament to sustainable craftsmanship and creative innovation. These pieces are thoughtfully created using leftover materials from the 105 Ltr production, ensuring minimal waste while breathing new life into residual glass. Each edition is inherently limited, determined by the quantity of available leftover materials.

In the glass production process, color cones are used to achieve custom hues, often leaving behind small, unclassifiable remnants. Vogel Studio transforms these mixed colors into the 105 Ltr Forms, resulting in pieces with uniquely vibrant and unpredictable color intensities. The distinctive shape and rich color variations make every object truly one of a kind.

In the process of creating hand-shaped vessels, Carl Auböck V began designing the largest and most deconstructed vase yet produced by AUBÖCK. This large, full-brass sculpture creates striking and brilliant light refractions, achieved through the hand-shrinking of its panels.
The brass panels are hand-beaten and rolled using traditional techniques and Biedermeier-era tools from the period when the family workshop was founded.
In sunlight, the vessel transforms into a “future moon,” offering a glimpse into the future of the Werkstätte Carl Auböck.

Massive and bold form of the vase illuminates the space with its irresistible allure. The exaggerated, whimsical ears of this piece bring nostalgic childhood memories, drawing the observer in with their charm. It is a reflection of the designer’s dream of creative freedom. Through OOG Objects’ vases, the studio aims to inspire a sense of wonder and appreciation for the extraordinary found in the objects surrounding us everyday.

The vase is handcrafted by experienced craftsmen in southern Poland. The mass-tinted glass has an exceptional depth that mesmerizes any room. It is shaped with traditional glassblowing techniques that employ wooden forms and tools, showcasing a time-honored craftsmanship deeply rooted in the region’s rich glass heritage. Each vase is hand-signed with its unique number.

The Round We Go Collection by Liquid Void Studio plays with colour and form in a fun but controlled way. Drawing inspiration from Space Age design, this porcelain vase is designed to emphasise the cheeky, cheerful nature of space.

The Anicca Vanitas Vase is made in casted brass, completely polished from inside and hand-filleted from outside. The vase is like a pedestal to the perishable beauty of living things, and it is reminiscent of the „Vanitas“ paintings typical of the Baroque era. It was handcrafted by Carl Auböck V. in his family’s historical workshop in Vienna.

Like all of Gruber’s pieces, this vase is intended as a physical ode to the craftsmen’s labour and to the subtle qualities of matter subject to human action. In the pursue of perfection, the excellence of craftmanship is aided by the precision of advanced manufacturing technologies. The design aims to highlight and celebrate the delicate beauty of the flowers, ensuring they remain the focal point.

Originating from Greece, the Crinoidea Vase is a testament to biophilic design. Crafted from brown, black, and white clay ceramic, it boasts a highly tactile surface with a homemade crawl glaze inspired by ancient crinoid seabed creatures. The three-phase process of coiling, cutting, adding decorative elements, and bonding culminates in firing at 1050 and 1240 Celsius. Standing 40 cm tall and 25 cm in diameter, this creation seamlessly connects its owner to nature’s enduring history.

Supernova by ELOA is a rare and magical visual phenomenon that manifests itself as a quick brightness. As exploding stars are the cause of this beauty in nature, SUPERNOVA’s organic surface generates amorphous reflections. SUPERNOVA is a collection of vases and bowls that float in space and create unique compositions between nature and object.

Tulpe is a vase by Fvorm, designed for the tulips, arranging the flowers in a way that highlights them. The wide base of the vase can make even a small bouquet look full and its wide opening gives extra support to the tulips when they start to fade at the end of their bloom. Tulpe was drawn with pen on paper to keep a human nerve in the design which can be seen in the organic and irregular shape. The vase is hand-blown and a piece of decoration with or without flowers.

“Espiral” is a sculptural object designed in 2021 by Rain and Rivers, as part of the interactive installation interface created for Paisaje Sonoro, a performative series that generates a live soundscape through the biodata visualization system emitted from the plants temporarily inhabiting the installation. The vase is designed to guide the growth of the stem and roots of the plant, and therefore in constant transition and dialogue with its environment. By evoking elemental materials such as light, water, air and earth, the plants movement becomes part of the sculpture. creating a piece that evolves over time. It is the result of a previous investigation regarding plant-intelligence. The spiral shape symbolizes the life order, continuity, development and motion.

Each vase by Tamara Abrar is unique and elaborately handcrafted in a traditional Czech glass workshop. Precious Bohemian glass is blown into molds made of metal grids whereby each grid can only be used once. This version uses an aluminum grid mold and comes in 5 colors. The uniqueness of each vase is evident in the shape and pattern as well as the color. One of these vases is part of the permanent exhibition at the Museum beim Markt in Karlsruhe, Germany.

This unique vase by Elis Monsport has come to life from the story of Jack and the Beanstalk. Its shapes twist and grow as if animated. I shaped and transformed the hot glass into a work of art, with lines that gently intertwine to create forms full of movement. These forms capture both light and shadows and bring the space to life. This vase is not just a decoration – it symbolizes growth and the connection between art and nature, whether you fill it with flowers or leave it empty.

This vase by Greem Jeong is an object created using 3D printing techniques, completed through a fusion of digital craftsmanship and handcrafting. The artist transforms the printed base shape into ascending curves using a heat-forming process, giving each piece a unique sense of vitality. Combining precise digital technology with artisanal techniques, this work explores sculptural beauty through organic forms inspired by nature. It functions not only as a practical vase but also as a sculptural art object that enhances and enlivens the space it inhabits.

The Hoop Vase by C E R A M I C 4 7 is inspired by a hoop skirt and exhibits elegance in simplicity. Its slender neck widens into a graceful swell, echoing the curves of a ball gown. Delicate filigree patterns adorn its surface, evoking the intricate lace of yesteryear. This is a timeless homage to beauty and refinement. Made from black clay stoneware and porcelain details. The vase is designed to be used with a glass cylinder (included) that integrates into its base to hold water, making the sculpture functional.

The Quetschi vases by Thomas Waidhofer are part of a series of works based on a crimped cross-connection of aluminum tubes. The joints are mostly necessary to create stability or certain shapes, but they are often used just as a stylistic element. The crimped surfaces are produced using a self-made workshop press. Crimping creates brute forces that can lead to cracks and fractures in the material, which are considered intentional imperfections.

The Olé Collection by Hania Jneid is a vibrant homage to the spirit and passion of Spain, inspired by the dynamic world of Flamenco culture. Each piece in the collection radiates energy, rhythm, and individuality, transforming traditional craftsmanship into expressive works of art. Hand-built from premium stoneware, every vase is a one-of-a-kind creation, meticulously glazed and finished with a striking silver luster. This thoughtful process highlights its sculptural form while adding an element of refinement and timeless elegance. Each vase is numbered, emphasizing its uniqueness and collectible significance.

This large three-flute ceramic sculpture is a variation building from Nolan T.K.’s Notch vessels, a series exploring transferring production processes across linear material. It is made of a reclaimed studio clay body that gives it a slightly green tone through the distressed charcoal glaze.

This soft minimalist ceramic sculpture by Françoise Jeffrey, crafted from stoneware in a rust-brown hue, features gently flowing lines that enhance its serene presence. The piece is graced with a subtle touch of gold on its foot, following the Japanese Kintsugi tradition, symbolizing beauty in imperfection.

This Modder represents memories. Making memories and cherishing them.

The Plastic Surgery 03 Vase is the defining icon of 91-92, celebrating individuality through bold design. Its signature S-curve exudes confidence, offering a sculptural statement that transcends conventional beauty standards. Just as every person has a unique form, this vase embraces fluidity and imperfection, inviting you to appreciate diversity through design.

“Inner side” is a series of vases, made together with coppersmith Victor Caldarar and Victor Dulgheru, during an incubator powered by co/rizom. The objects are handmade in the traditional technique of hammered copper and they each have an inner and an outer layer of material. The walls of each object are doubled, having a gap of air in between. Once the volume is filled with water, the perception of the user is deformed by the fact that the water does not touch the outer layer, as well as by the center of weight placed elsewhere than expected.

This Vase for One by Tom Schoonhoven Studio is a refined, minimalist flower holder designed as a dedicated pedestal for a single bloom. Its simplicity transforms the act of displaying a flower into an intentional and poetic gesture. Emerging from an exploration of carved profiles from cylindrical forms, this unique piece reimagines the classic vase through clean, sculptural lines. The result is a striking yet understated design emphasizing function and form, making it a timeless accent for any space.

Vas 03 by Soledre is molded in a technical plaster, hand finished and painted. Painted details might vary, custom colors are possible for a fee. A dull and boring near-futuristic world, Midtopia lies between utopia and dystopia, adjacent to Michel Foucault’s concept of Heterotopia. Early science fiction envisioned a techno-Garden of Eden, but that future never arrived. Instead, our view shifted toward a decaying world, driven by wars, inequality, and anthropocenic events. Yet, what if the future was neither good nor bad—just mid?