Carrara – Candle Care Set
by CARRARA · Riga, Latvia

19x3x2cm (7x1x1")Stainless SteelSteel
A study in quiet precision, candle care set brings ceremony to the everyday ritual of lighting and tending a flame. Comprising a w… Read more
Open Edition
Ongoing series by the maker. Slight variations may apply.
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Delivered between8 – 15 Oct
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Shipping and delivery
Ships fromRiga, Latvia
Delivery toyour location
Estimated delivery dateOctober 8 - October 15
Cardboard20x20x10cm, 1kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

.300

Production Year

Material

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Discipline

Color

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Design Class

Description

A study in quiet precision, candle care set brings ceremony to the everyday ritual of lighting and tending a flame. Comprising a wick trimmer and snuffer, each piece is crafted in matte black with clean, understated lines that evoke a sense of calm and control.

The trimmer’s angled blades offer a crisp, effortless cut, while the snuffer gently extinguishes the flame without smoke or splatter. Together, they form a sculptural duo—equal parts tool and object—designed to enhance both the function and feeling of candlelight.

MATERIAL
Stainless steel, matte black finish

Dimensions LxWxH
Piece Weight (kg)

.300

Production Year

Material

,

Discipline

Color

, ,

Design Class

About CARRARA Visit Showroom →

CARRARA is a sculptural art and object studio founded by artist and creative director Lera. Her work begins with a simple observation: people form quiet, often unconscious relationships with the objects and surfaces that surround them. A wall can calm or disturb. A texture can invite touch or create distance. These interactions are subtle, almost irrational, yet they shape how we feel inside a space. Her practice exists to make these invisible relationships tangible.Lera studied interior design at the University of Latvia, where she developed an understanding of space as something emotional rather than purely functional. Over time, her focus shifted from designing interiors to creating objects that influence space on a deeper, more intimate level. She works primarily with mineral-based materials, shaping each surface by hand. The process is slow and repetitive, allowing rhythm, tension, and imperfection to emerge naturally. Repetition becomes a way of thinking. Texture becomes a way of holding time.Her work is rooted in cycles — both physical and internal. Compression and release. Stillness and movement. Each piece reflects the fragile balance between control and surrender, strength and vulnerability. The forms are minimal, but never neutral. They carry a quiet presence that can anchor a space without dominating it.For Lera, objects are not symbols or statements. They are companions to human experience. They do not demand attention, but they remain present — offering a point of contact between the external world and internal life. Her work invites a slower kind of perception, where meaning is not explained, but felt.
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CARRARA
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· Riga, Latvia
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