Uovo Bowl, In Onyx And Stone
by Panorammma Atelier Mexico

1.150
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+
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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

This bowl explores balance through weight, surface, and elevation. Carved from solid white onyx, its gently concave form rests on three egg-shaped stone legs, lifting the piece and creating a quiet tension between grounding and lightness.
Existing between functional vessel and sculptural object, the composition carries a subtle, ritual presence. The rounded stone supports emerge beneath the onyx surface like smooth pebbles rising through still water, forming an optical dialogue between mass and delicacy.
The natural veining and tonal variations of white onyx guide the final outcome, allowing the material itself to shape each piece. No two bowls are alike, with every edition defined by the singular character of the stone.
Handcrafted in Mexico using locally sourced materials, the bowl reflects an ongoing exploration of geological heritage and artisanal knowledge.

Stone pattern and tone are unique for each piece and cannot be guaranteed to match image portrayed.

Dimensions LxWxH
Piece Weight (kg)

3

Production Year

Material

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Discipline

Color

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Design Class

About Panorammma Atelier Visit Showroom →

PANORAMMMA’S POETICS OSCILLATE BETWEEN DISCIPLINES, WHILE FOCUSING ON A CRUCIAL POINT OF CONTEMPORARY SENSIBILITY: THE EXPANDING PATHOLOGY OF THE CONCRETE, THE ALIENATION OF EVERYDAY LIFE AND THE SPACE THAT ABSTRACTION OCCUPIES IN THE SOCIAL SPHERE. PANORAMMMA’S DESIGNS DELVE INTO THESE THEMES BY EXPLORING PAST VISIONS OF THE FUTURE AND CREATING THE MYTH OF MEMORY. BUILDING ON OUR PAST AND PERSONAL EXPERIENCES THROUGH NEW VISUAL NARRATIVES. PANORAMMMA DOES NOT SEEK TO CREATE OBJECTS THAT EXIST APART FROM EVERYDAY EXPERIENCE AS MUSEUM PIECES, BUT OBJECTS TO BE LIVED AND USED. THESE OBJECTS REQUIRE A CCOMMITMENT ON THE PART OF THE VIEWER SO THAT AS A USER THEY FACILITATE THE FULFILMENT OF THEIR OBJECTIVE TASKS. ACTIVATING THEM BY S I T TING ON THEM, EATING WITH THEM, DRINKING FROM THEM, TURNING THEM ON, TURNING THEM OFF, CARESSING THEM, SLEEPING WITH THEM, WAKING UP TO THEM. ALLOWING THESE OBJECTS TO INTIMATELY AFFECT OUR BEHAVIOURS AND TO BE AFFECTED BY THEM. PANORAMMMA PURSUES THE CREATION OF OBJECTS THAT GENERATE FISSURES FROM WFROM WHICH FANTASY SPILLS INTO OUR REALITY AND INFORMS AN IMAGINATIVE PLAY; A SCENOGRAPHY FROM PARALLEL FICTION. PSEUDO PROPS. PANORAMMMA CREATES ACTORS THROUGH WHOSE PRESENCE AND PERFORMATIVE ABILITY CAN CREATE OF OUR DOMESTIC SPACES UNUSUAL SCENARIOS. TESTIMONIES OF A REFUSAL TO LIVE ORDINARILY. MAIKA PALAZUELOS;(DESIGNER AND DIRECTOR) INITIATED PANORAMMMA DURING THE CONFINEMENT WITH THE INTENTION OF CREATING A PERMEABLE AND OPEN PLATFORM FOR DESIGN EXPLORATION.
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