Stone Statis – Black Clay Table Lamp
by Ia Kutateladze · Berlin, Germany

12x20x46cm (5x8x18")Stoneware

This lamp is handmade and built from raw black clay. One of a kind. E 27 bulb.

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One of a kind
A singular, unique piece. Only one will ever exist.
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Delivered between9 – 16 Oct
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Shipping and delivery
Ships fromBerlin, Germany
Delivery toyour location
Estimated delivery dateOctober 9 - October 16
Cardboard40x50x60cm, 8kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
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Specifications
Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2025

Material

Color

Design Class

Unique Pieces

FAQ
What is a table lamp?

A table lamp is a freestanding, portable light designed to stand on a surface — a side table, console, nightstand, sideboard or desk. It plugs in or runs on a battery rather than being wired into the ceiling or wall, which makes it the only lighting category you can rearrange as easily as furniture.

What are the parts of a table lamp?

Typically a base, a socket, a shade or diffuser and the hardware between them. In classic constructions a harp holds the shade above the bulb and a finial screws it in place; in contemporary and sculptural designs the base and diffuser are often one continuous form, with the light source concealed inside. Understanding which type you are buying matters mainly for whether the shade or bulb can be changed later.

How tall should a table lamp be?

It depends on the surface and the sightline. Next to a sofa or armchair on a side table, 60–70 cm total height is a reliable range, with the bottom of the shade at or just under eye level when seated. On a nightstand, 40–60 cm. On a console or entry table, 60–80 cm. On a shelf or sideboard where the lamp is decorative, anything from 20 cm up.

What size lampshade should a table lamp have?

As a starting point, the shade should be about one third of the lamp's total height and wide enough that the bulb and socket are hidden from every normal viewing angle — usually one and a half to two times the width of the base. A shade narrower than the base looks top-light; one much wider turns the lamp into a mushroom. Many pieces here are sold as complete designs where the proportion is already resolved by the maker.

What is the difference between a table lamp, a desk lamp and a bedside lamp?

Desk lamps and bedside lamps are both types of table lamp, separated by the job rather than the format. A desk lamp directs a defined pool of light onto a work surface, often with an adjustable arm and higher output. A bedside lamp is smaller, warmer and lower in output, with a switch you can find in the dark. A general table lamp sits between the two and is usually chosen for presence as much as function.

Are cordless and rechargeable table lamps bright enough to be useful?

For ambient and accent light, yes — most portable designs sit in the 100–400 lumen range and run for several hours per charge. For sustained reading, a mains-powered lamp is still the better choice. Cordless pieces earn their place where wiring is impossible or unwanted: a dining table, a bar, a bathroom shelf, a terrace, or a rented flat.

Can a table lamp be used outdoors?

Only if it is built for it. Rechargeable and solar designs rated for outdoor use can move onto a terrace or balcony; a mains lamp in ceramic, wood or untreated metal should not. Check the IP rating and the maker's guidance, and bring any portable piece back inside overnight.

Are these table lamps dimmable?

Many are, but it depends on the individual piece. Lamps with standard E14 or E27 sockets can usually be dimmed using a compatible bulb and an inline or plug-in dimmer, even where the lamp has a simple on/off switch. Integrated LED designs are dimmable only where the designer built that in, sometimes via a touch-sensitive base or a stepped switch.

Which materials work best for a table lamp?

Ceramic and stoneware for tactile, matte surfaces that hold their character unlit; hand-blown glass for soft, uneven diffusion; alabaster, marble and travertine for stone that glows from within and gives real stability; brass, bronze and steel for precise, directional light and a patina that develops with use; wood and paper for warmth and gentle diffusion. All of them age visibly rather than wearing out, which is the point of buying at this level.

Do table lamps come with a bulb, and what plug will arrive?

It varies by studio. Some pieces ship with a bulb or an integrated LED; others expect you to supply one, and the product page will say which socket it takes. Plug types depend on where the maker is based, so check the listing and ask us if you need a specific plug or a voltage confirmation for your country.

What should I look for when choosing a designer table lamp?

Height against the surface it will stand on, whether the light source is hidden from where you sit, the quality of the material at close range, whether the bulb and shade can be replaced, and whether it is dimmable. After that it is a question of presence: a good table lamp should hold the corner of a room during the day as convincingly as it lights it at night.

Description

Stone Statis by La Kutateladze is part of the Unknown Dreamscape Tales collection, inspired by the artist’s travels to Iceland. The collection aims to reconstruct and reimagine the memories and imagery of this mystical island through form and material exploration. By incorporating found natural objects, such as lava stones and pebbles, the work engrains their textures into the surfaces, transforming felt sensations into tangible, physical expressions.

Dimensions LxWxH
Piece Weight (kg)

5

Production Year

2025

Material

Color

Design Class

Unique Pieces

About Ia Kutateladze Visit Showroom →

Ia Kutateladze is a multidisciplinary designer and artist from Tbilisi, Georgia. In 2016, she moved to Berlin, where she has sense lived and worked. From 2019, she opened her own studio where she works on different materials, creating functional and non-functional, explorative objects.A quest to directly connect personal and surrounding emotional and psychological processes with the material and form exploration. Be it symbolic or more literal. Trying to explore the link between emotions, thoughts and life processes and how they would be translated into the material and form experimentation and research. Interpreting different psychological states and ways of being, memories and other personal occurrences into physical objects and shapes. These are currently the main themes for my creative practice.
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Ia Kutateladze
Photo Ia Kutateladze
· Berlin, Germany
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