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Porcelain Table Lamp - Green / Orange Hues

Porcelain Table Lamp – Green / Orange Hues
by Sarah Tracton Australia

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Porcelain Table Lamp - Green / Orange Hues

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Porcelain Table Lamp - Green / Orange Hues

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Description

This porcelain lamp by Sarah Tracton is a captivating fusion of craftsmanship and luminous design, featuring an iridescent base with striking orange and green hues. Its remarkable diaphanous effect is achieved through an innovative process: porcelain slip is meticulously poured onto a plaster slab, shaped, and then kiln-fired to perfection.

Shimmering, iridescent pigments are applied to the porcelain’s surface to enhance the lamp’s celestial translucency, transforming the piece into a radiant work of art. When internally lit, the lamp glows with a mesmerizing interplay of light, color, and texture, creating an ethereal ambiance that elevates any interior setting.

With its masterful craftsmanship and luminous presence, the lamp exemplifies dedication to pushing the boundaries of ceramic artistry, merging functional design with sculptural beauty.

This lamp can be customized for any country. Handmade in Melbourne, Australia, using locally sourced materials and suppliers. Handcrafted with 100% Australian porcelain. Low energy, long lifetime LED.

Dimensions LxWxH	22x14x22cm (9x6x9'')
Weight (kg)	0.1
Production Year	2024
Material	Porcelain
Discipline	Ceramics And Stoneware
Design Class	Open Editions

About Sarah Tracton Visit Showroom →

Drawn to exploring the infinite possibilities of porcelain translucency, fine artist and designer Sarah Tracton handcrafts lighting that is luminous, experimental and ethereal. To achieve her lighting’s remarkable diaphanous effect, Sarah honed her artistry at the National Art School in Sydney, mastering an unique technique of pouring clay slip on a plaster slab, then heightening its luminous properties by adding iridescent colours to the porcelain, which results in exquisite celestial translucency when internally lit. She repairs the porcelain which has shattered in firing stages with Kintsugi gold leaf technique, combating wasting with circular economy. A dual existence as fine art and function design. Each lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.