Sensitive Wood Mazarine Floor Lamp In Oak Wood
by Vital Lainé · Plouër-sur-Rance, France

150x20x20cm (59x8x8")Oak Wood
The Mazarine is a floor lamp from the ‘Bois Sensible’ (Sensitive Wood) series by French artist Vital Lainé. Rediscover… Read more
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A singular, unique piece. Only one will ever exist.
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Delivered between19 – 26 Oct
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Shipping and delivery
Ships fromPlouer-sur-Rance, France
Delivery toyour location
Estimated delivery dateOctober 19 - October 26
Custom Crate30x30x160cm, 70kg
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Specifications
Dimensions LxWxH
Piece Weight (kg)

50

Production Year

2026

Material

Technique

Color

Design Class

Unique Pieces

FAQ
Is this a one of a kind piece?

Yes, this Mazarine floor lamp is a unique piece — its proportions were determined by the specific oak plank it was made from, so no two are alike.

What bulb does it use, and is it included?

It is lit by a G9 bulb under satin glass. The listing does not specify whether the bulb is included — you can confirm this with the maker using Chat with the maker on this page.

Is the lamp dimmable and what about the plug or wiring for my country?

Dimmability and plug/wiring details are not specified here — please reach out via Chat with the maker to confirm compatibility with your outlets.

Can I customize the size, wood or finish?

No, customization is not available for this piece since it is a unique item made from one specific plank of oak.

How long does it take to receive this lamp?

This piece is made to order and usually ships within 1 week.

How is the lamp shipped and packaged?

It ships in a crate, and shipping is insured and covers worldwide delivery.

Can I return this lamp if I change my mind?

Made-to-order pieces like this one are excluded from the standard 14-day return policy.

How should I care for the oak wood?

Specific care instructions are not listed here — ask the maker directly through Chat with the maker for guidance on maintaining the oak finish.

What is a floor lamp?

A floor lamp is a freestanding light that rests on the floor, tall enough to light a room or a seating area from above surface level. Unlike a table lamp it needs no furniture to stand on, and unlike a ceiling fixture it needs no installation — which makes it the easiest way to add a permanent light source to a room you cannot rewire.

How tall should a floor lamp be?

Between 150 and 180 cm for most positions. The number matters less than the shade height: seated beside the lamp, the bottom edge of the shade should fall at or just below your eye level, roughly 100–130 cm from the floor, so the bulb stays hidden. Uplights and torchieres can be taller because they throw light upward, away from your eyeline.

Where should a floor lamp go in a living room?

Three positions do most of the work: in a corner, where an uplight lifts the darkest part of the room; beside or slightly behind a chair, for reading; and behind or over the sofa, where an arc lamp substitutes for a ceiling fixture. Avoid placing one directly in a walkway or where its cable crosses a route people take.

What is an arc floor lamp for?

An arc or arched lamp has a long curved arm that extends the light source away from the base, so it can hang over a sofa, a coffee table or a chair without anything mounted overhead. It is the standard solution in rented flats and rooms with no central fixture. Check two things before buying: how far the arm reaches, and how heavy the counterweighted base is.

What is a torchiere, and when should I use one?

A torchiere directs light upward into the ceiling rather than down into the room. The ceiling reflects it back as soft, even, glare-free light, which makes a low or dark room feel considerably larger. It works best against pale matte ceilings; dark or heavily textured surfaces absorb much of the effect.

Which floor lamp is best for reading?

ne with directed light and an adjustable or downward-facing shade — a swing-arm or tripod lamp rather than an uplight. Aim for 400–800 lumens landing on the page, position the lamp slightly behind and to the side of your shoulder, and choose a shade deep or opaque enough that you never see the bulb from your reading position.

Do you have floor lamps with an integrated table or shelf?

Yes — there is a dedicated selection of lamp-and-table pieces, and it is one of the more interesting corners of the catalogue. These are not the shelf-tower lamps sold by furniture chains but single designed objects in which the light and the surface are one thing: illuminated side and coffee tables, lamps whose base doubles as a tabletop, and sculptural pieces that read as furniture with a light source built into them. They are made in ash and plywood, steel, brass, stoneware, marble and natural fiber, and several are held in stock rather than made to order. They earn their place beside a sofa or an armchair where there is only floor space for one object instead of two.

Are the shades replaceable, and can I change them?

It depends entirely on the piece. Where a lamp uses a conventional frame and a standard fitting, a shade can usually be swapped. Many pieces here, though, are designed as a single form — a blown glass diffuser, a paper shade sized to its frame, a ceramic body — where the shade is the lamp and is not intended to be changed. Product pages describe the construction; ask us if you need certainty.

How stable are they, and are they safe with children or pets?

Stability comes from base weight and footprint, both listed on product pages. Tall slim lamps and long arc arms need a substantial counterweight, and a heavy handmade lamp is not a piece you want knocked over. In a home with small children or large dogs, favor a low center of gravity, a wide base, and a position out of traffic routes — and route the cable along a wall rather than across a floor.

Which materials work best for a floor lamp?

Brass, steel and aluminum for slim arms and arcs that need structural strength; solid wood for tripods and columns with visible joinery; ceramic, stone and concrete for weight and a low center of gravity; woven rattan and natural fiber for texture and broad, dappled light; handmade and rice paper for the soft, screen-like glow associated with Japanese lighting. All of them show wear as patina rather than damage.

Description

The Mazarine is a floor lamp from the ‘Bois Sensible’ (Sensitive Wood) series by French artist Vital Lainé.

Rediscovering a material as common as wood is beautiful and poetic, and exploring it through its nature and history as a living material is a meaningful approach — one where listening to the material is crucial. That listening begins with the selection of wood, in situ. The sawmill serves as a source of inspiration, a place where the material actively participates in the creative process.

Among a multitude of local wood species and a variety of rejects, an attractive potential hides within certain pieces and their flaws. The tree in the form of a plank exposes the fragility, history and beauty of the wood, making it a witness and reflection of its territory. The history of each piece, each reject, their shapes and the diversity of species foster an esoteric exchange with the material, translated into a mental schema of the future object. The formal and dimensional aspect of the object is guided by the nature of the chosen pieces, placing the material as master of the design. The purity of the object, both functional and visual, is central, highlighting the material and its imperfections.

Unique piece
Oak, assembled with beech dowels
G9 LED under a satin glass globe

Dimensions LxWxH
Piece Weight (kg)

50

Production Year

2026

Material

Technique

Color

Design Class

Unique Pieces

About Vital Lainé Visit Showroom →

Vital Lainé, born in 1997 in Rennes, is an artist and designer who works intimately with wood. In 2022, he established his studio near the Rance River, close to a sawmill where the material itself often seems to call to him. His process is a dialogue between his creative vision and the living essence of wood, which guides his designs as much as he shapes it.Vital has a unique perspective on his medium, emphasizing its natural beauty and so-called imperfections. He sees every phase of creation as integral to the final piece, from sketches and models to hands-on shaping. His work shifts between drawing, flat designs, and volumes, allowing him to reinterpret objects from multiple perspectives.Each piece represents the beginning of a new exploration. Even when two creations appear similar, they are distinct versions of an idea. Vital continuously reimagines everyday objects—chairs, tables, and lamps—seeking new forms that honor simplicity, materiality, and function.“I don’t add anything unnecessary; I let the material speak. Details like a vein or knot in the wood inspire me and remind me of the tree it came from.”His work blends utility and artistry, existing between daily use, sculpture, and a sacred respect for nature. Drawing inspiration from artists such as Constantin Brancusi and Max Lamb, Vital creates objects that invite reflection and interaction.Beyond his studio, Vital photographs his pieces in various settings—landscapes, village squares, or near the sawmill—offering new perspectives on his work. For him, the process of making, the time spent reflecting, and the interaction with space are inseparable from the object itself.In his creations, Vital Lainé invites us to rediscover the connection between material, design, and the world around us.
Question for the maker?
Vital Lainé
Photo Vital Lainé
· Plouër-sur-Rance, France
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