The Oracle’s Query Tapestry
by Magnus Ingvar Ágústsson · Reykjavik, Iceland

30x32x21cm (12x13x8")Cotton
Myth has been used throughout history as a tool of interpretation and understanding, a gathering of shared experiences, such as hi… Read more
Limited Edition
Only 3 identical pieces will ever exist. Yours will be numbered.
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Delivered between2 – 9 Dec
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Ships fromReykjavík, Iceland
Delivery toyour location
Estimated delivery dateDecember 2 - December 9
Packaging30x32x21cm, 3kg
  • Tracked from studio to doorstepYou receive a tracking link as soon as the piece leaves the studio, and can follow it through every carrier hand-off until it reaches your door.
  • 100% insured, door to doorEvery shipment is fully insured from pickup to delivery. If anything happens in transit, you are covered for the full purchase price.
  • All made to order purchases are finalThis piece is produced specifically for you once you order, so it cannot be returned or exchanged.
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Specifications
discipline

Textilework

Material

Production Year

2016

Number Of Pieces Created

3

Description

Myth has been used throughout history as a tool of interpretation and understanding, a gathering of shared experiences, such as historical or religious events, nature and natural phenomena. Often spoken through personification creating behavioral models and as a moral compass.

Vague understandings of emerging technological concepts and how they work, create fertile soil for the conception of myths.

The Oracle’s Query is an exploration of our modern day technology with the tool kit of mythology, it offers an interpretation into the vast and ever changing landscape of technology.

The Cloud becomes a metaphysical data-center in the heavens, meme cats and self-aware robots roam the countryside, where the sky is darken by flocks of drones who loom over vast data-mines, and in the dark corners of the AI’s imagination, the creatures of the Deep Dream emerge.

The tapestry depicts a modern-day technological cosmology, a logical medium for the interwoven history of the computer and the Jacquard loom, both were programmed with binary systems through/via punch-cards. Ada Lovelace predicted that these new machines (computers) could be used for “other things besides number”, referring to music, art and poetry drawing parallels between the pattern making looms and the computers

Featured image:
Photo by Rafael Pinho for HA www.hadesignmag.is

discipline

Textilework

Material

Production Year

2016

Number Of Pieces Created

3

About Magnus Ingvar Ágústsson Visit Showroom →

Question for the maker?
Magnus Ingvar Ágústsson
Photo Magnus Ingvar Ágústsson
· Reykjavik
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