N2 Panel Table Lamp in Walnut and Steel
by Aaron Scott US

A table lamp by Aaron Scott, its two thin walnut panels sandwiching a row of LEDs and backed in gold leaf. Rotationally symmetrical, it casts a warm glow from both sides at once.

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Description

N2 Panel pairs two thin, stacked-laminated walnut panels around a set of LED lamps, their backsides lined in gold leaf to give the light a lush, warm quality as it escapes through the wood. The piece is rotationally symmetrical, standing on a blackened steel base and casting light from both faces of the panel simultaneously.

Dimensions LxWxH
Piece Weight (kg)

4.0

Production Year

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Design Class

About Aaron Scott Visit Showroom →

Brooklyn-based designer Aaron Scott was raised in the mountains and forests of Southwest Oregon. He studied philosophy at the University of Colorado, Boulder, followed by fine art at the San Francisco Art Institute. Since moving to NYC in the late 90s Scott has worked in a variety of mediums – film, sculpture, writing and furniture design. Drawing inspiration from nature, science and mathematics, Scott’s work explores relationships of space, light and movement. Using a meticulous, labor-intensive process that relies on the hand and the eye, improvisation and experimentation, Scott has developed a body of sculptural furniture characterized by complex geometries, rotational symmetry and unconventional engineering. Since the early 2000s Scott’s furniture has been built using the stacked-laminate method – a technique that relies on the careful laying-out of alternating grain patterns on parallel pieces of wood, overlapped in successive layers. The process is both additive and subtractive. In the first stage the rough form is built by stacking glued-up layers, each corresponding to a given point on the x, y or z axes. These layers, laminated together in a stair-like or topographical form, are then sculpted with handheld power tools to obtain the final, smooth surface. With each new piece Scott attempts to push the boundaries of the medium of wood and his own imagination, posing and re-posing the question to himself: Which parts of the form are essential and which can be removed?
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