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Floral Study Ii: Night Tulip

Floral Study Ii: Night Tulip
by Elena Yakimushkina Netherlands

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Floral Study Ii: Night Tulip

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Floral Study Ii: Night Tulip

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.

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Description

Part of my ongoing Floral Studies series, this piece explores the tulip as a sculptural form. Handbuilt from black stoneware, the vase has an intentionally organic, imperfect shape, making every work in the series truly one of a kind.
The exterior is left unglazed and carefully hand-polished to a soft satin shimmer, achieved through a long, meditative process of refining the clay surface during its making. The interior is coated with a transparent glaze, creating a glossy contrast with the matte body.
The piece functions as a vase while maintaining a strong sculptural presence. It invites quiet attention, standing equally well on its own or in dialogue with flowers.

Handbuilt from black stoneware. Unglazed, hand-polished exterior with subtle glazed accents; transparent glaze inside. Fired at 1250°C. Waterproof and suitable for fresh flowers.

Dimensions LxWxH	20x19x29cm (8x7x11'')
Piece Weight (kg)	3
Production Year	2025
Material	Glazes, Stoneware
Discipline	Ceramics And Stoneware
Color	Glossy Black, Satin Black
Design Class	Open Editions

About Elena Yakimushkina Visit Showroom →

Born on the Baltic Coast, I've always drawn inspiration for my artwork from the serene beauty of northern nature. Ceramics, for me, is not just a craft; it's a lifelong passion and a medium for my creative expression. I am endlessly fascinated by the diverse forms, materials, and techniques that ceramics offer. One of the greatest joys of working with clay is the opportunity to experiment with firing techniques. I have a particular fondness for raku firing and wood firing, drawn to the hands-on nature of these methods and the element of serendipity they bring to the creative process. In each ceramic piece I create, I infuse a part of myself, establishing a profound connection between artist and art. Thank you for joining me on this artistic journey.