“Panes2” Vase

by Kim Thomé United Kingdom (UK)

540 Incl.20% VAT

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Estimated production time: 2 - 45 weeks

Dimension LxWxH (cm): 130x100x300
Open Editions Material : Glass
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Description

Different coloured glass are glued to make up the structure of this vase. The panes vary in colour giving different colours depending where it is viewed from.

This vase is part of a series of other forms exploring glass as a structural material on smaller scales. The series will explore glass as vessels, structures and objects within a domestic realm.

These are hand made using glued using an epoxy adhesive by the designer himself.

The vases are made of readily available glass colours; blue, green, bronze and grey.

The vessels are waterproof.

Additional information

Weight 2.5 kg
Dimensions 400 × 250 × 250 cm
Dimensions LxWxH (cm)

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About the designer


Kim Thomé

Kim Thomé is a multidisciplinary design studio working between objects and installation-based projects working between London and Oslo. Thomé is a graduate of Kent Institute of Art and Design, and spengt several years working for other artists and designers before finally finishing his studies at before finishing his studies at The Royal College of Art. His work ranges from product design, furniture to more recently grand, encapsulating exhibitions focusing on manipulating a viewer\'s perception of light and colour through his fabricated optical illusions. A hypnotising presence is carried through from his most large scale of works, for example a multistory kaleidoscopic installation piece using hundreds of Swarovski crystals to his intimate series of  couloured glass vases, Panes, which explore glass as vessels, structures, and objects within a domestic realm.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.