"Næss" Chair

by Christian Udjus Norway

$3.140 Incl.0% TAX

1 in stock

Insured Delivery: $314
Est delivery: May 6th, 2022
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Dimension LxWxH (cm): 89x65x81
Limited Editions Material : Beech wood
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Description

“Næss” is a chair so low that you can see straight into the fireplace. Certainly with a book and low shoulders. The back consists of 20 stiles, which are mounted floating so that the chair adapts to the sitting position. The stiles give the chair a light and airy look, which balances the robust frame. The chair is treated with furniture wax, this provides a soft and natural shine and leaves a natural tactile surface. It looks good and is good for the environment.

“Næss” Foot Stool available separately.

Additional information

Weight 25 kg
Dimensions 100 × 70 × 100 cm
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About the designer


Christian Udjus

Christian Udjus (1981) trained in visual arts and woodworking. He started Bergskog furniture in 2016. Bergskog is the place hi lives and has his workshop. Christian is harvesting his own materials from around the house and designs and builds his furniture to order.

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.