In 1946, my grandfather Chema, started to work with resin in his small atelier in Mexico City. He created figures such as toys, buttons and household products, but his creativity went beyond the commercial use of the resin. He started to experiment with new forms, encapsulating flowers and insects to create magnificent artworks.
When I was a child I used to play with these objects, fascinated by the translucency and the three-dimensional illusion that light creates through the resin. After ...
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