White Paper Sculptural Wall Calendar 2024

by Theodóra Alfreðsdóttir Iceland

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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The White Paper Sculptural Wall Calendar 2024, a delightful addition to Theodora Alfredsdottir’s collection, reimagines the act of time-tracking as a captivating visual experience. This calendar was born from an inspiring conversation with her father, both of whom share a unique perception of months as a tapestry of colors and shapes—a perspective that comes to life in this one-of-a-kind creation.

Crafted with precision, this innovative calendar is designed to be hung on your wall using four wall-based pins. It comprises 13 sheets, each dedicated to a specific month of the year. As months pass, completed pages are elegantly flipped onto the other two pins, gradually evolving into a captivating artwork—a visual voyage through time and cherished memories by the end of the year.

Upon the year’s conclusion, this artwork becomes a canvas for personalization. You have the freedom to preserve Theodora’s original composition or unleash your creative spirit by dividing and rearranging the pages, fashioning two distinct artworks that resonate uniquely with you.

An ideal Christmas present, this calendar seamlessly merges functionality, sustainability, and sentimental value into a singular experience. Choose between the options of 170gsm paper or 2mm plywood, in either crisp white or a vibrant multicolored edition, and invite the art of time to gracefully unfold within your living space.

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About Theodóra Alfreðsdóttir Visit Showroom →

Theodora is an Icelandic product designer based in London. She holds a bachelor’s degree in product design from the Iceland Academy of the Arts and a master’s degree in Design Products from the Royal College of Art in London in 2015. Theodora’s work revolves around the narrative an object can inhabit and exploring ways of objectifying that narrative. She's interested in the way an object can act as documentation of it’s manufacturing process; a record of what went on between the machine, tools, craftsman and material as well as it can communicate it’s origin and former life. That often leads to discovery of unexpected qualities as well as it gives the user a subtle opportunity to reconsider our material world and explore value in a different way.
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