Multicoloured Plywood Calendar 2024
by Theodóra Alfreðsdóttir Iceland

10 in stock

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  • This is an Open Edition
    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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The Multicoloured Plywood Calendar 2024 by Theodora Alfredsdottir is a delightful addition to her collection, offering a playful twist on time-tracking, transforming it into a captivating visual experience. Theodora’s inspiration for this unique calendar stemmed from a conversation with her father, where both shared a unique perspective of perceiving months through a prism of colors and shapes.

This innovative calendar is designed to hang effortlessly with the support of four wall-based pins. It consists of 13 sheets, each representing a different month of the year. As the months unfold, completed pages are flipped onto the other two pins, gradually evolving into a captivating artwork by year’s end—a captivating visual journey through time and cherished memories.

At the conclusion of the year, the artwork becomes a canvas for personalization. Owners have the freedom to retain Theodora’s original composition or embark on a creative endeavor by dividing and rearranging the pages, crafting two distinct artworks that resonate with their unique sensibilities.

Ideal as a thoughtful Christmas present, this calendar seamlessly blends functionality, sustainability, and sentimental value into a one-of-a-kind experience. Buyers can choose between 170gsm paper or 2mm plywood, in either crisp white or a vibrant multicolored edition, inviting the art of time to gracefully unfold within their living spaces.

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About Theodóra Alfreðsdóttir Visit Showroom →

Theodora is an Icelandic product designer based in London. She holds a bachelor’s degree in product design from the Iceland Academy of the Arts and a master’s degree in Design Products from the Royal College of Art in London in 2015. Theodora’s work revolves around the narrative an object can inhabit and exploring ways of objectifying that narrative. She's interested in the way an object can act as documentation of it’s manufacturing process; a record of what went on between the machine, tools, craftsman and material as well as it can communicate it’s origin and former life. That often leads to discovery of unexpected qualities as well as it gives the user a subtle opportunity to reconsider our material world and explore value in a different way.
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