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Untitled Chair 01 - Sand Sculpted Mechanical Structure

Untitled Chair 01 – Sand Sculpted Mechanical Structure
by Kajsa Melchior Sweden

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Untitled Chair 01 - Sand Sculpted Mechanical Structure

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Untitled Chair 01 - Sand Sculpted Mechanical Structure

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Description

This remarkable chair is born from the unconventional artistry of sand sculpting, a process driven by air pressure. It finds its form in Acrystal, a water-based acrylic resin, reflecting Melchior’s unwavering commitment to her chosen materials and techniques.

Kajsa Melchior, an independent designer and sculptor based in Stockholm, employs a design-critical approach in her practice, exploring the intricate overlap between furniture and sculpture, fact and fiction. Her creations delve into the rich terrain of development and erosion, serving as the foundation for her spatial and material investigations. These pieces boldly challenge established aesthetic norms, emerging from the synergy of sand, compressed air, and bodily imprints.

This unique chair stands as a testament to the convergence of art and design, offering a thought-provoking addition to any space.

ONE-OFF
Approximate Dimensions:
H. 650mm / W. 1100mm/ D. 550mm/ SH. 450mm
Materials: Sand casted, acrystal.

Dimensions LxWxH	45x110x65cm (18x43x26'')
Weight (kg)	15
Production Year	2023
Material	Sand
Discipline	Biomaterial
Design Class	Unique Pieces

About Kajsa Melchior Visit Showroom →

Kajsa Melchior is an independent designer and sculptor based in Stockholm. Her work has a design critical approach and investigates in the borderlands between furniture and sculpture, facts and fiction. The work are explorations of how concepts such as developing and erosion can form the basis of spatial and material investigations, and challenges aesthetic standards as they are created through sand, compressed air and bodily imprints.