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The Last Chair - Wood And Steel Chair

The Last Chair – Wood And Steel Chair
by Vincent Decat France

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The Last Chair - Wood And Steel Chair

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The Last Chair - Wood And Steel Chair

This is a Limited Edition of 8
How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

Inspired by the Athena Sanctuary in Delphi, the Last Chair by Vincent Decat embodies the spirit of its final remnants. The design draws directly from the fragmented ruins of the classical monument, a symbol of strength in Delphi for over a millennium. The piece mirrors the sanctuary’s partial and worn state, unfinished beauty, and structural elegance through solid wood construction, matte finishes, and subtle steel accents. The bold blue finish contrasts with the natural surfaces, inviting reflection on the coexistence of ancient and modern aesthetics.

The chair is part of the Ruins of Delphi series, consisting of sculptural furniture pieces reimagining ancient Greece through a contemporary lens.

Dimensions LxWxH	50x50x75cm (20x20x30'')
Piece Weight (kg)	5
Production Year	2024
Material	MDF, Steel
Discipline	Wood & Cabinetmaking
Color	Cobalt Blue, Steel
Design Class	Limited Editions
Number Of Pieces Created	8

About Vincent Decat Visit Showroom →

"My pieces are intended to be companions rather than possessions. I give my objects organic, animated qualities, hoping that people will grow attached to them the way they would to a pet." Vincent Decat is a Paris-based artist and designer exploring the intersection between sculpture and functional design. Graduated from the Design Academy of Eindhoven, he creates interior objects that integrate sculptural thinking into everyday use. His work is characterized by forms that suggest life and movement, pieces that seem to breathe or shift, inviting physical interaction. These animal-like qualities transform functional objects into personal and engaging pieces. By creating pieces that feel almost alive, he encourages a relationship of care rather than consumption. They become companions that people want to preserve and cherish over time.