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Floral Study Iii: Night Rosehip

Floral Study Iii: Night Rosehip
by Elena Yakimushkina Netherlands

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Floral Study Iii: Night Rosehip

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Floral Study Iii: Night Rosehip

This is an Open Edition
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How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.

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Description

Part of my ongoing Floral Studies series, this piece reflects on botanical forms as a source for sculptural interpretation. The shape echoes a rosehip berry. The word night in the title refers not only to the dark color of the clay, but also to a quiet, inward moment, when a flower has already passed its blooming phase and holds its seeds within.
Handbuilt from black stoneware, the vase has an intentionally organic, imperfect shape. The surface is left unglazed, emphasising the material’s depth and tactility, while subtle irregularities in the form avoid a sense of artificial perfection. The piece balances between abstraction and a recognisable natural reference.
Functioning as a vase, Night Rosehip also works as a sculptural accent within an interior.Its calm, balanced presence allows it to sit naturally on a shelf, table, or windowsill, with or without flowers.

Handbuilt from black stoneware. Unglazed, hand-polished exterior with subtle glazed accents; transparent glaze inside. Fired at 1250°C. Waterproof and suitable for fresh flowers.

Dimensions LxWxH	22x22x29cm (9x9x11'')
Piece Weight (kg)	3.0
Production Year	2025
Material	Glazes, Stoneware
Discipline	Ceramics And Stoneware
Color	Glossy Black, Satin Black
Design Class	Open Editions

About Elena Yakimushkina Visit Showroom →

Born on the Baltic Coast, I've always drawn inspiration for my artwork from the serene beauty of northern nature. Ceramics, for me, is not just a craft; it's a lifelong passion and a medium for my creative expression. I am endlessly fascinated by the diverse forms, materials, and techniques that ceramics offer. One of the greatest joys of working with clay is the opportunity to experiment with firing techniques. I have a particular fondness for raku firing and wood firing, drawn to the hands-on nature of these methods and the element of serendipity they bring to the creative process. In each ceramic piece I create, I infuse a part of myself, establishing a profound connection between artist and art. Thank you for joining me on this artistic journey.