Anicca Vanitas Censer
by Luca Gruber Germany

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    How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Description

The Anicca Vanitas Censer is made from sheet metal brass. The brass pieces are hand-polished from the outside to a mirror-like finish, while the inside is patinated to create a dark brass texture. The censer will be delivered with two chains to hang it from the ceiling or a hook and to detach it. It should be used to purify the air of an environment together with scented resins or herbs. The interplay between the polished brass and the patinated inner surface reflects the tension between permanence and impermanence – a central theme of the Anicca Vanitas Collection.

Part of the larger Anicca Vanitas Collection, this candlestick is more than just a functional object; it is a meditation on the beauty of transient moments. The design elevates the sensory experience, inviting the viewer to engage with the fleeting yet profound essence of scent. The censer is part of the Anicca Vanitas Collection, which includes several other well-being pieces, like a vase, an incense holder, a scent diffuser and candlesticks.

Like all of Gruber’s pieces, this vase is intended as a physical ode to the craftsmen’s labour and to the subtle qualities of matter subject to human action.

The piece can be made in different metals and finishes on demand. It doesn’t include a hook for the wall.

Dimensions LxWxH
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0.6

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About Luca Gruber Visit Showroom →

Dedicated to the creation of sacral quality in his objects, Gruber's work spans a variety of product categories in a continuous dialogue with craftsmanship excellence, traditional manufacturing techniques and refined materials. His narratives arise from the poetic exploration of materials and from mythological and anthropological imagery. His practice is rooted in excellence. He matured a sensibility towards high-end craftmanship during his years of apprenticeship at Bodo Sperlein’s and Ini Archibong’s studios, before opening his namesake studio in 2022. His current collaborations include Carl Auböck and J. & L. Lobmeyr. Through each of his objects, Gruber attempts at realising tangible phenomena of poetry: in contrast to our fast-paced era, he celebrates care and dedication, that of the craftsmen who refine every detail of his pieces. Carving, funneling, welding, polishing odes to men’s labour and skills.
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