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Angkha Lounge Chair

Angkha Lounge Chair
by Aku Zeliang India

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Angkha Lounge Chair

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Angkha Lounge Chair

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Description

The Angkha Lounge Chair is inspired by the vibrant colors and intricate patterns found in traditional Eastern Naga jewelry. This lounge chair embodies the essence of the diverse forms and indigenous designs from the tribal communities of Eastern Nagaland. With its simple yet striking design, the chair offers a modern interpretation of these complex traditional practices, merging cultural heritage with contemporary style. Ideal for spaces that appreciate unique artistry, the Angkha Lounge Chair is a statement of comfort and craftsmanship.

Handcrafted with naturally dyed cane and rattan edge binding on a wooden structure, featuring black cotton upholstery for a sleek, cohesive look.

Dimensions LxWxH	66x58x83cm (26x23x33'')
Weight (kg)	47
Production Year	2025
Material	Rattan
Discipline	Weaving
Color	"Negro" (Black), Natural
Design Class	Open Editions

About Aku Zeliang Visit Showroom →

Aku represents the second generation of designer-entrepreneurs in his family, carrying forward a legacy rooted in craftsmanship and cultural preservation. Since the early 1990s, he has played a pivotal role in reviving and promoting hand-woven artisanal textiles from Nagaland and its neighboring states through the brand Heirloom Naga. His efforts have not only brought national recognition to these indigenous weaving traditions but have also provided sustainable livelihoods to rural artisans. In parallel, through Cane Concept, Aku has redefined regional crafts by introducing them to a contemporary design language, blending traditional techniques with modern aesthetics. His work continues to bridge the gap between heritage and innovation, placing Northeastern craft traditions on a global design map. He finds synergy between indigenous and contemporary design, seamlessly blending traditional art forms with modern aesthetics and giving them powerful representation through meaningful collaborations and curated platforms. Zeliang also seeks to elevate tribal designs to global recognition, fostering economic opportunities for artisans, uplifting community livelihoods, and actively preserving, protecting, and promoting the rich cultural heritage of tribal communities.