Imprints Of The Ephemeral – Sculptural Vase
by Kamilla Csegzi Studio United States (US)

400 - 1.400 incl. tax
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  • This is a Limited Edition of 11
    How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
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Description

This handblown glass sculptural vase is one of a kind collectible item exclusively done as part of a special collection initiated by the creative artist and chef Fernando Aciar and architect/designer Kamilla Csegzi.
These glass pieces represent ACT II, of a series of events centered around a mycelium table, a collaboration with nature, that started in may 2024. By giving up part of the creative control, allowing nature to shape the design, the mycelium table is an evolving entity that facilitates three ACTs of gathering that compose this piece.
With the table as a mold the hand blown glass collection comes to life, the vases capture living textures, preserving the memory of the ephemeral table in all its fragility.
Each handblown glass piece is a part of an installation that emphasizes the perpetual circularity of our process, a timeless process of transformation.

The glass pieces can be used as a vase or displayed as a sculptural piece.

Dimensions LxWxH
Variations

Imprint I, Imprint II, Imprint III, Imprint IV, Imprint V, Imprint VI, Imprint VII, Imprint VIII, Imprint IX, Imprint X, Imprint XI

Weight (kg)

0.1

Production Year

Material

Discipline

Color

Design Class

Number Of Pieces Created

11

About Kamilla Csegzi Studio Visit Showroom →

Kamilla Csegzi is a Hungarian architect and artist/designer currently based in NYC, creating spaces and objects that bridge between the precarity of people and nature. Working across the scales of architecture, installations and objects, Kamilla's creative process is instigated by the power of the surrounding material and natural world to shape and define humans, to articulate rituals, movements, behavior, gestures and relationships. To harness this symbiosis, her design engages natural processes like movement of air, growth, sedimentation, evaporation, vitrification, or the decay and transformations of material waste. In the more recent years, her focus has been on research and design with mycelium, the intricate network of thread-like structures found in fungi, that possesses a remarkable ability to transform and adapt. By harnessing the regenerative potential of mycelium, she aims to create pieces that undergo a transformative metamorphosis, reflecting the dynamic and positive change from decay to growth. Instead of being the form-giver to an object or the follower of a function, her craft gives up part of the control to co-create with nature. The result are pieces with structural integrity while also possessing a living essence, blurring the boundary between living and non-living things.
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