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The starting point of this project is rooted in the designers’ interest in old stucco materials and moulding techniques. It has grown into a fascination with the two-dimensional line of the running mould technique being transformed through a specifically created turning machine into a three-dimensional object.
Every piece begins with a line and through the building up of material, the three-dimensional manifestation of that line is created. The objects are simultaneously built and decorated through the process of their making. The process of building up the layers to create the form is emphasized by using different pigments in each layer of the stucco material, making their creation very present in the finished object. The resulting objects are ambiguous pieces that exist somewhere in between function and sculpture.
Limited edition no. 02/03
Ceramics and Stoneware
Natural wax, Scagliola (plaster + hide glue + pigments)
Black, black and white, White, White and Black
Flensted Mouritzen was founded by Troels Flensted (DK) and Ragna Mouritzen (DK), with the vision to explore materials, colours and ways of making. They create gallery pieces that balances in between function and sculpture.
They both studied at University of the Arts London (Central Saint Martins & Camberwell) and the Royal Danish Academy of Fine Arts, School of Design, and are now based in Copenhagen, Denmark where they continue their individual practices as well as their collaboration.
Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making.
The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.
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