“No-One-Should” Chair

by Duyi Han United States (US)

2.500 incl. tax
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Made to order

Estimated production time: 5 weeks

Dimension LxWxH (cm): 45x46x82
Open Editions Material : Cotton, Foam, Linen upholstery, Silk, Wood
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Description

“No-One-Should” chair is inspired by the artistic form of classical Chinese furniture and modern Chinese red-letter slogans. It is covered in cotton fabric (white) or fine silk (other color options), hand-embroidered with a text about domestic violence and trauma.

The embroidery is done by highly experienced craftspeople in Suzhou, China. The chair is made by experienced professionals at Duyi Han’s collaborative workshop in Shanghai.

Cover: silk (or cotton), removable, for light use
Upholstery: foam. Inner cover in linen, non-removable.
Seat height: 47cm
Colors may differ slightly from the samples provided.

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Additional information

Weight 10 kg
Dimensions 100 × 50 × 50 cm
Dimensions LxWxH (cm)

Weight (kg)

Material

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Design Class

Production Year

Fabric Colour

Yellow, Pink, Pistachio, Blue, White

Embroidery Colour

Magenta, Pink, Green, Blue, White, Red, Yellow, Black

About the designer


Duyi Han

Duyi Han (1994) is an artist and designer who creates digital and physical environments and objects as perceptual experiences that evoke rich feelings of beauty. His work is based on extensive research on the evolution process of design and aesthetics, with a focus on the “ingredients of beauty” as they relate to society, culture, history, geography, and biology. Using these “ingredients of beauty,” Duyi Han’s experimental practice operates beyond the limitation of fixed style and time period, creating poetic and moving work that is able to respond to diverse time and cultural contexts. His past work has appeared on numerous international platforms, from Vogue to American National Academy of Sciences. Duyi Han holds a B. Arch (2019) from Cornell University in New York and has worked at the architecture office Herzog & de Meuron in Basel, Switzerland.

Curated by

As Belgium is a small country without a very distinctive, nationalistic pride, artists and designers can work in complete freedom. There’s no higher purpose to be served. Creations can be the most individual expression of the most individual emotion. Thanks to this liberal creative climate – in combination with a strong, historical artistic tradition and qualitative art schools – Belgian art, design, and its collectors have gained international recognition for their avant-gardism. Besides, Belgium has always been a melting pot of different cultures, combining both German and Roman influences. This historical context gives designers the opportunity to colour outside the lines and outspokenly explore the borders between art, design, crafts, and industry. Strict typologies are left behind; rather, banal materials are transformed for a high-end context and meaningful stories are transmitted as an extra emotional layer. In doing so, these emancipated creations break out of traditional frames of reference, open up to everyone, and stand with both feet in our multicultural and multi-layered contemporary society. Visit the Contemporary Design Market x ADORNO collection in person at: TOUR & TAXIS Gare Maritime Rue Picard, 11 – 1000 Brussels, Belgium Saturday, 24 September (9.00 - 18.00) Sunday, 25 September 2022 (9.00 - 17.00)