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Floral Study Ii: White Tulip

Floral Study Ii: White Tulip
by Elena Yakimushkina Netherlands

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Floral Study Ii: White Tulip

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Floral Study Ii: White Tulip

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.

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Description

Part of my ongoing ‘Floral Studies’ series, this piece explores the tulip as a sculptural form. Handbuilt from stoneware, the vase has an intentionally organic, imperfect shape, echoing the irregularity of natural growth.
The surface is covered with a white glaze both inside and out, applied in a deliberately uneven way to avoid a “manufactured” look and to retain a sense of natural softness. Along the rim and on the tips of the petals, the clay gently reveals itself, adding warmth and depth to the whiteness of the glaze.
The piece functions as a vase while maintaining a strong sculptural presence. It invites quiet attention, standing equally well on its own or in dialogue with flowers.

Handbuilt from stoneware. Semi-matt white glaze inside and out, with an intentionally unglazed rim where the clay remains visible. Fired at 1250°C. Waterproof and suitable for fresh flowers.

Dimensions LxWxH	19x19x28cm (7x7x11'')
Piece Weight (kg)	3
Production Year	2025
Material	Glazes, Stoneware
Discipline	Ceramics And Stoneware
Color	Soft Semi-matte White With Dark Brown Rim
Design Class	Open Editions

About Elena Yakimushkina Visit Showroom →

Born on the Baltic Coast, I've always drawn inspiration for my artwork from the serene beauty of northern nature. Ceramics, for me, is not just a craft; it's a lifelong passion and a medium for my creative expression. I am endlessly fascinated by the diverse forms, materials, and techniques that ceramics offer. One of the greatest joys of working with clay is the opportunity to experiment with firing techniques. I have a particular fondness for raku firing and wood firing, drawn to the hands-on nature of these methods and the element of serendipity they bring to the creative process. In each ceramic piece I create, I infuse a part of myself, establishing a profound connection between artist and art. Thank you for joining me on this artistic journey.