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Eros Chair

Eros Chair
by aeny studio Canada

Usually Ships in 24 weeks
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Eros Chair

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
Can be customized upon request
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Eros Chair

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Description

The Eros (chair) is sculptural and expressive, shaped entirely by hand using a custom fibre-based composite developed in the studio. Its asymmetrical form is built from thick, curved lines that bend, stretch, and twist with a sense of movement and tension.
Built not from a plan, but from an emotional logic that emerged during the making.

The high-gloss black finish creates a reflective surface that shifts with light, accentuating contours, exaggerating shadows, and giving the chair a dynamic presence in space. Subtle textures remain visible beneath the resin, revealing the physical process behind the form.

Signed and dated.

Each work is made by hand and no two pieces are identical. Variations in form and surface are inherent to the process and part of the intended character of the piece.

Available in custom sizes and colours.

Dimensions LxWxH	47x43x91cm (19x17x36'')
Piece Weight (kg)	14
Production Year	2024
Material	Epoxy Resin, Expanded Polystyrene (recycled)
Discipline	Biomaterial
Color	"Negro" (Black), Bone
Design Class	Unique Pieces

About aeny studio Visit Showroom →

Nayara Nascimento is a Brazilian-born, Canada-based sculptural artist, designer, theorist, and founder of aeny studio. She creates sculptural furniture and lighting using proprietary composites developed through ongoing material research and experimentation, often shaped from recycled and unconventional materials. Each piece is built by hand, layer by layer, through a physical, responsive process shaped by feeling, intuition, and form. Some works begin with a sketch. Others begin without a clear plan. But none follow a fixed path. They shift as they’re made, becoming a way to hold something: an emotion, a rupture, a moment in time, made tangible through material. Her background in architecture and interior design provided a foundation in spatial structure, while studies in neuroscience deepened her understanding of perception and the complexity of human experience. The practice is further shaped by her neurodivergence and Indigenous Brazilian heritage, which informs how she listens to material, memory, and the unspoken currents inside form. Over time, this way of working evolved into what she now calls The Dissonance Method. The method itself is a broader research inquiry into how tension, intuition, and multi-layered perception shape understanding; her sculptural practice is one of the places where it becomes visible. In the studio, this takes the form of a process that honours the intelligence of friction: intuition, material resistance, and emotional nuance become active agents in shaping the work. It is not a step-by-step technique, but an ongoing negotiation between intention and what the material reveals in the act of making. Through aeny studio, she creates objects that hold what words often can’t.