"Crooked Desk"

by Nazara Lazaro Germany

5.916 Incl.16% VAT
Insured Delivery: 510
Est delivery: Nov 11th, 2021
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Made to order

Estimated production time: 2 - 7 weeks

Dimension LxWxH (cm): 96x170x75
Open Editions Material : Oak wood
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Description

The “Crooked Desk” forms part of “The Crooked Collection”, an ongoing series of asymmetric and angular furniture pieces launched in 2020. Every piece is made to order, using hand glued timber from selected oak slabs, planed, and finished with hard wax oil. The design remains as pure as possible by keeping all the joins hidden. The use of massive oak gives a very premium finish and provides a warm contrast to the angular lines.

All pieces are available in natural massive oak, walnut, and white lacquered wood. Additional sizes, woods, and finishes are available on request.
H 75 cm x W 170 cm x D 96 cm

Additional information

Weight 90 kg
Dimensions 120 × 190 × 100 cm
discipline

Wood & Cabinetmaking

Dimensions LxWxH (cm)

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About the designer


Nazara Lazaro

Nazara Lazaro was born and raised in the Canary Islands, part of Spain but located right off the coast of Africa.

She moved to Madrid to pursue a degree in interior design at the Istituto Europeo di Design. After her studies she travelled to Japan where she stayed for almost two years on and off. During this time she learned about Japanese woodwork, architecture and exhibition design. Since 2014 she is based in Berlin, working as freelance interior and product designer.

Curated by

Often the ordinary and visible present becomes vague and forgotten. Analogue experiences have boiled down to a minimum during the last years. We are currently in a situation where much of our regular rhythm was interrupted, the everyday was frozen and almost disappeared for a while. It became particularly evident how the environment we are functioning in, what we have or possess, matters. Layers of the past provide a means to describe the world and rethink the evident. Remembering and untangling the past and the local provides a captivating perspective through types of objects, materials, and methods of making. The Estonian collection, “Revisiting the Past”, is based on tracking the everyday and the conventional, translating observations, reconsiderations, and hints of the past into contemporary design. More than ever, the future is about rethinking the present and the past, of what we have and need. The past is heavily coded in our future.