Steel: Unveiling Its Modern Marvels

Fold Table Light both illuminates from within and through the reflections. As the self-appointed purpose was to create a Brutalist lighting element with a unique form, Fold Table Light is the outcome of experimentation on the subject, which consists of constructing physical models.

As we move across it we see the brass edging begin to defy its own materiality, and we see ourselves fragment, splinter into pieces, and scatter across the room. We no longer see ourselves, only pieces of ourselves dispersed across time and space.

This Space Age floor lamp is inspired by the natural shapes that water has created. The light that leaks from between the metal pieces is the representation of water finding its way to earth.

The design idea of the side table is inspired by the moment of slicing a singular form into two pieces. The falling effect of the sliced part is enriched by the colour of split area.

The “rendez-vous” chair stems from a love of both artisanal shoemaking and a love of classic Belgian tubular furniture. Two mirrored steel lines dance around the plywood and leather seat and come together in an upward motion that embraces the leather back.

The Matrix project is and began as a system to allow for endless configurations and constructions. The base concept is derived from architectural constructions and solutions for multipurpose “form meets function” situations.

The chair SEDIA 1 is made by hand from a single folded stainless steel sheet. The few necessary welding seams are hidden yet visible inside the folding. The exterior of the chair is completely mirror-polished and reflects the environment.

Seemingly cast into shape, Cage Bench is made entirely from a 3000 × 1500 × 2 mm perforated steel sheet. The perforated steel draws a grid over the whole piece.

Dispossessed of its spine, the chair is cut down the middle splitting it into two hemispheres. With only the most essential connection points remaining, they confer both its strength and fragility. This Mid Century Modern chair embodies this relationship and its inherent tension.

The lamps in the “A FLANC DE FALAISE” series draw their graphic language from the quarries from which they were extracted, combining geometric precision and the free expression of the material itself.