Matrix bench

by OS ∆ OOS

8.228 incl. tax

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Dimension LxWxH (cm): 140x30x42
Open Editions Material : Powdercoated steel
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Description

The Matrix project is and began as a system to allow for endless configurations and constructions. The base concept is derived from architectural constructions and solutions for multipurpose “form meets function” situations.
As the construction of the Matrix is built up of individual ribs, the ribs can be designed any which way. This allows the system to be applied to products as well as interior features, or even architectural structures themselves.
When viewed from the front the grid structure has a very transparent character but as the structures start to bend the transparency disappears in a gradient of light type fashion. The inner surfaces of each individual square capture and play with light and appear differently from all other perspectives.
A showcase of surfaces, seating and lighting that together show a broad application of the concept, to showcase the possibilities as well as the visual aesthetic.

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Additional information

Weight 85 kg
Dimensions 157 × 46 × 60 cm
Dimensions LxWxH (cm)

discipline

metalwork

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About the designer


OS ∆ OOS

Studio OS ∆ OOS is design studio for small objects to larger spatial concepts; the studio tries to find the balance between form, material and their relation to the surroundings and the user. For the duo it is the constant search to find the essence in the complex that drives them, taking an initial concept and working it into an object that conveys only what is meant to. The majority of work borders the line of design (in the industrial/ functionality sense) and autonomous objects; best described as contemporary objects derived from concept, yet rationalized to give them purpose. The conclusion of these efforts results in neither a product nor pure artistic expression but a culmination of the both. A product where art=industry. As a result works of OS ∆ OOS have been commissioned by production partners such as FontanaArte, Please Wait to be Seated and Umbra-Shift, and have their work represented nationally and internationally at prestigious fairs such as Design Miami/Basel, PAD London and Paris, Collective Fair in New York, Fog Fair San Francisco, Design Days Dubai and Collectible in Brussels to mention a few. Their work has also been included at museums such as the Van Abbe Museum in Eindhoven, Mac’s Grand-Hornu in Belgium, The Design Museum in London and Villa Noailles in Hyeres, as well as having work acquired by the Vitra Design Museum for their permanent collection. Lately the studio also moved towards interior design completing recently the flagship store for Ace & Tate.

Curated by

Presenting “PROXIMITY”, a collection created in collaboration with Southern Sweden Design Days showcasing a selection of new work from ten designers and studios. As a whole, the collection contemplates the notion of proximity, interconnection, and belonging. Whether through contemporary references to traditional crafts techniques; the use of locally sourced materials such as wool, lichen, steel, and wood; or playful visualisations of the notion itself, the selected pieces illustrate the importance of closeness, interconnection, and kinship in uncertain times. Featuring pieces by Andrea Santivanez, Andréason & Leibel, Ebba Lindgren, Förstberg Ling, Jóna Berglind Stefánsdóttir, Lab La Bla, Lisa Darland, Louise Hederström, Moa Lönn, and Studio M. Organised by Form/Design Center in Malmö, Sweden, Southern Sweden Design Days is an annual event currently in its second edition, which highlights sustainability, collaboration, development, and innovation in design. This year’s theme, as described by the event organisers, “[reflects] on the notion of being close – the connection between people, cities, countries, species, professions, etc”. The physical exhibition of “PROXIMITY” will take place at Lokstallarna, Södra Bulltoftavägen 51, 212 22 Malmö from 19 - 22 May 2022.