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Floral Study Iii: White Rosehip - Vase

Floral Study Iii: White Rosehip – Vase
by Elena Yakimushkina Netherlands

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Floral Study Iii: White Rosehip - Vase

This is an Open Edition
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How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.

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Description

Part of my ongoing Floral Studies series, this piece reflects on botanical forms as a source for sculptural interpretation. The shape echoes a rosehip berry, realised here in white, with the same form also realised in black.
Handbuilt from stoneware, the vase has an intentionally organic, imperfect shape. The surface is covered with a soft, semi-matt white glaze, applied both inside and out in a deliberately uneven way to avoid a manufactured look and to retain a sense of natural softness. Along the rim and on the tips of the form, the clay gently reveals itself, adding warmth and depth to the whiteness of the glaze.
Functioning as a vase, White Rosehip also works as a sculptural accent within an interior. Its calm, balanced presence allows it to sit naturally on a shelf, table, or windowsill, with or without flowers.

Handbuilt from stoneware. Semi-matt white glaze inside and out, with an intentionally unglazed rim where the clay remains visible. Fired at 1250°C. Waterproof and suitable for fresh flowers.

Dimensions LxWxH	22x22x29cm (9x9x11'')
Piece Weight (kg)	3.0
Production Year	2025
Material	Glazes, Stoneware
Discipline	Ceramics And Stoneware
Color	Soft Semi-matte White With Dark Brown Rim
Design Class	Open Editions

About Elena Yakimushkina Visit Showroom →

Born on the Baltic Coast, I've always drawn inspiration for my artwork from the serene beauty of northern nature. Ceramics, for me, is not just a craft; it's a lifelong passion and a medium for my creative expression. I am endlessly fascinated by the diverse forms, materials, and techniques that ceramics offer. One of the greatest joys of working with clay is the opportunity to experiment with firing techniques. I have a particular fondness for raku firing and wood firing, drawn to the hands-on nature of these methods and the element of serendipity they bring to the creative process. In each ceramic piece I create, I infuse a part of myself, establishing a profound connection between artist and art. Thank you for joining me on this artistic journey.