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Caduceus Chalice Vessel

Caduceus Chalice Vessel
by Natalia Triantafylli United Kingdom (UK)

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Caduceus Chalice Vessel

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Caduceus Chalice Vessel

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Caduceus Chalice Vessel

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Description

The “Caduceus” vessel is made by scans of the eponymous symbol found on the lamp poles alongside the Thames Embankment. The top part is made by slip casted porcelain that was later scanned and printed in order to create the base part.

The piece is part of the “Chimeras of a High Tide”, a collection of artifacts created using traditional ceramic techniques and rapid prototyping mediums, leading to a result where the original can be hardly distinguished from its reproduction.

”The project started from my walks around the city of London, where with the eyes of a foreigner, I developed a particular fascination with the ornate Elements of Victorian mass-produced furniture. As a Greek person, I am used to living amongst the ruins of past grandeur, so I was intrigued by the paradox of the Victoriana, where the latest means of industrial production were expressed through revivalism.”

Do not expose to high temperatures.

Production Year	2021
Material	3D Printed PLA, Parian Porcelain
Discipline	Ceramics And Stoneware
Color	Copper Green, Ivory-White
Design Class	Open Editions
Dimensions LxWxH	14x14x18cm (6x6x7'')

About Natalia Triantafylli Visit Showroom →

Natalia Triantafylli is a Greek designer and maker based in London. She holds an MA from the Royal College of Art in Design Products (class of 2021), where she was awarded with a full scholarship by the Burberry Design Foundation. With a background in design and ceramics her work is characterized by an animistic perspective towards 'things'. She explores schemas such as luxury, fetish and wonder for their power to create gateways to imaginary worlds. She uses these constructions to point to the rarity of the mundane, concluding that there is no need for a new reality but for a fresh pair of eyes.