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Wua-g Il Speakers
by POL AGUSTI Mexico

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  • This is One of a kind
    How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
  • Can be customized upon request
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Description

Each of these speakers begins as a humble gourd – a natural, ancient vessel used for centuries by cultures around the world. In this reinterpretation, the gourd becomes a shell for sound: a speaker that bridges nature and technology.

Carefully hollowed, treated, and transformed, the organic body of the gourd holds a modern sound system, allowing it to carry and amplify not only music, but a message – one that echoes from the earth and from ancestral memory.

The result is a living object: a sculptural speaker that connects the organic with the electronic, the handmade with the digital. It is both artifact and amplifier – a voice of nature, made to resonate in our contemporary world.

*Each set includes two speakers, conceived as a pair to enhance spatial sound and presence.

-AMPLIFIER DAYTON AUDIO KAB-215v2, CLASS D, 2x15W RMS
-SPEAKERS DAYTON AUDIO CX120-8, 4” COAXIALL FULL-RANGE, 3/4” SILK DOME TWEETER 8 Ω
– BLUETOOTH 5.0
– AUX FOR PLUG 3.5mm
– VOLUME CONTROL
– 24V DC

About POL AGUSTI Visit Showroom →

Pol Agustí (b. 1985, Barcelona) is an artist based in Mexico City. His work explores the intersection of solitude, architecture, and spiritual symbolism. Through handcrafted objects—often in black ceramic or raw wood—he builds a language of absence, care, and inner rituals. His practice imagines the life of an unseen hermit, a guardian of pigeons and spirits, whose domestic landscape becomes a metaphysical space. Agustí’s sculptures often recall altars, funerary structures, or devotional tools—devices for grieving, transformation, or quiet observation. Among his most recognizable works is a series of sculptural chairs—ceramic forms that subvert the logic of furniture, proposing instead postures of solitude, stillness, or reverence. These pieces have circulated widely, drawing attention not for their practicality, but for their enigmatic presence: objects that sit more than they are meant to be sat upon. Trained in industrial design at La Llotja (Barcelona) and later earning a degree in production design at ESCAC (Barcelona), Agustí began his path in architecture, collaborating with studios such as EMBT and Josep Miàs, where he developed a sensitivity to space, material, and atmosphere. For over fifteen years, he worked as a production designer for films, music videos, and commercials. These projects led him across the world, building temporary worlds for others. In parallel, he cultivated a photographic practice focused on the mystical, the bodily, and the mythological—often set in timeless landscapes charged with symbolic force. For a time, this dual path provided equilibrium. Eventually, the desire for stillness and continuity led him to settle in Mexico, where his artistic practice deepened and took root. Today, he works across sculpture, scenography, and installation, crafting symbolic objects and environments that inhabit the thresholds between earth and sky, presence and memory. Among his ongoing projects is the production of a series of speakers—sonic sculptures that explore the transmission of voice, echo, and invocation.
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