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Triptych Float

Triptych Float
by Sarah Tracton Australia

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Triptych Float

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Triptych Float

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.

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Description

Triptych Float by Sarah Tracton uses a groundbreaking single-wire system to support its weight, while being free of 240V cabling fixtures. As the porcelain sheets are fired, they show signs of natural imperfections, giving them a chance to express their unique character. Rather than discarding or concealing these flaws, Kintsugi repair is employed. This technique transforms the scars into a golden illumination, embracing imperfections and finding beauty in them. Not only does this process imbue an idiosyncratic beauty, but it also combats the environmental impacts of wastage by giving new life to what might have been deemed flawed or unusable.

This light can be customised to international standards. Must be installed by professional electrician.

Dimensions LxWxH	44x44x23cm (17x17x9'')
Weight (kg)	0.1
Production Year	2024
Material	Porcelain
Discipline	Ceramics And Stoneware
Color	“güero” (blonde), Apple Green, Black, Red, Orange, Yellow, Blue
Design Class	Unique Pieces

About Sarah Tracton Visit Showroom →

Drawn to exploring the infinite possibilities of porcelain translucency, fine artist and designer Sarah Tracton handcrafts lighting that is luminous, experimental and ethereal. To achieve her lighting’s remarkable diaphanous effect, Sarah honed her artistry at the National Art School in Sydney, mastering an unique technique of pouring clay slip on a plaster slab, then heightening its luminous properties by adding iridescent colours to the porcelain, which results in exquisite celestial translucency when internally lit. She repairs the porcelain which has shattered in firing stages with Kintsugi gold leaf technique, combating wasting with circular economy. A dual existence as fine art and function design. Each lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.