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    • Sunbreaker – Cast Bronze and Walnut Storage Bench
    by Laylo Studio United States (US)

    Only 1 left in stock
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    €20.380
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    • This is an Open Edition
      Each edition may differ
      How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
    • Can be customized upon request
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    Description

    This low storage bench by LAYLO, designed by Chicago-based Sam and Lydia Link, reflects the unseen aspects of urban architecture. Mimicking the form of HVAC systems in alleys, it challenges perceptions with its sculptural, functional, and mechanical elements. Made of profiled cast bronze and dovetailed walnut drawers within a curved steel case, it’s crafted through precise laser-cutting, rolling, welding, machining, hand-painting, and buffing, resulting in a colorful and varied surface.

    Weight (kg)

    130
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    About Laylo Studio Visit Showroom →

    LAYLO is the studio practice of Sam and Lydia Link. Founded with the intention of building through the exploration and integration of traditionally siloed crafts, the partners design and independently produce limited edition, functional works in their Chicago workshop using both contemporary and age-old equipment and techniques. Metal fabrication methodologies revolutionized by the last century of industrialization convene with imaginative woven elements and detailed woodwork to culminate in contemporary pieces that span eras and disciplines. As a result of a dedication to creating their work themselves, Sam and Lydia believe that the objects that arise from their collaboration are imbued with their presence as artisans. Rooted in diligent process, their “slow-cooker” approach to design and manufacturing exists in opposition to the 24/7 production schedule that commands the market environment. As a result, the collection of work is informed by Sam and Lydia’s personal connection to the manual manipulation of material in addition to the time and labor required to bring their vision to fruition.
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