Want more images or videos?

Request additional media from the maker to get a better understanding of the piece

Want to see it in real life?

Request a physical meeting to see the
Spigolatura N°64 - Handwoven Wall Art

Spigolatura N°64 – Handwoven Wall Art
by Susanna Costantini Italy

Only 1 left in stock
Put a hold on this piece

Put a hold on the
Spigolatura N°64 - Handwoven Wall Art

Ships in 1 week
Need it faster? Reach out

Request Lead Time for
Spigolatura N°64 - Handwoven Wall Art

This is an Open Edition
Each edition may differ
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
Submit your idea

Submit your customization request for
Spigolatura N°64 - Handwoven Wall Art

Buyers protection

Certificate of Authenticity A signed certificate from the maker is always included in the box.

Lowest price guaranteed Find a lower price from the seller, we'll match it.

Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Make an Offer
Spigolatura N°64 - Handwoven Wall Art — €

Your offer / per item

Your chances of this offer to be accepted is good

Quantity

Asking as a Private customer

Professional buyer

Phone

Shipping to

Comments

Need to have it? Buy now for €

Description

Spigolatura n°64 by Susanna Costantini is part of the Gleaning series. Inspired by Agnes Varda’s documentary, Les glaneurs et la glaneuse, these minimalist textile panels are the result of a ‘gleaning’ process. The gleaning activity is something necessary we practice every day, and it has something to do with the recovery of value, both material and emotional. The practice of gleaning brings with it a moment of choice; you evaluate, and you decide whether to let go, recover, or process. These pieces are woven from remainders of warps and other weavings, which create geometric and textured shapes in the weave. Balancing different kinds of threads and techniques in the weave of these abstract landscapes is a craft perfected by Susanna Costantini, who developed these unique, experimental weavings after years spent mastering their practice.

Dimensions LxWxH	62x4x122cm (24x2x48'')
Weight (kg)	6.0
Production Year	2024
Material	Textiles
Discipline	Weaving
Color	Multi Colored
Design Class	Open Editions

About Susanna Costantini Visit Showroom →

Susanna Costantini Atelier is a small studio of artisanal weaving based in Italy. The approach followed aims to highlight the exceptional value that comes from the interaction between hands and materials. The crafting process of each creation is exclusive and unique and each weaving project starts by observing natural patterns and exploring how different yarns and materials work synergistically with one another. The weavings created by Susanna Costantini are the result of a totally manual process, the works are woven on a traditional 4-shaft loom following a variety of weaving approaches and using selected, recycled or handcrafted yarns with manual spinning and natural dyeing. These choices give the works specific qualities and characterising irregularities. “My great grandmother was a weaver. She used to cultivate, to spin linen threads, to dress the loom and then to weave for crafting sheet towels or fabrics to be used every day. I still have worn out rags and incredibly fresh linen sheets which are over 100 years old. The fascinating irregularities of hand-spun threads and the narrative of hand weaving is mesmeric. Those antique and textured fabrics keep on teaching and telling me about the wisdom of hands. Hand weaving could be considered as an extreme analog practice nowadays but it’s like digital coding or a contemporary media language in some respects. Warp and weft are like a binary system and weaving offers endless possibilities of mixing materials and techniques. Weaving is also a way to explore visual art and communicate. "