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Pattern Of Industry - Pf60 Aluminum Low Table 02

Pattern Of Industry – Pf60 Aluminum Low Table 02
by Oneseo Choi South Korea

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Pattern Of Industry - Pf60 Aluminum Low Table 02

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
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Pattern Of Industry - Pf60 Aluminum Low Table 02

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Description

The Pattern of Industry is a furniture series featuring geometric patterns created by assembling cross-sections of industrial aluminum profiles. The functional material initially produced for utility, transforms into an aesthetic object, evoking a sense of “tradition” subjectively shaped by the viewer’s cultural background. The ease of assembling aluminum profiles, combined with the artist’s newly discovered narratives, allows the series to expand into various everyday furniture and art pieces. The PF60-Low Table, in particular, is inspired by the form of the traditional Korean ‘soban’ and is designed as a low tea table.

The legs use aluminum for weight and stability, while the scratch-resistant acrylic top ensures durability. The materials are bolted together, and its translucent patterns add a subtle elegance.

Dimensions LxWxH	54x54x35cm (21x21x14'')
Weight (kg)	20
Production Year	2024
Material	Acrylic, Aluminum
Discipline	Metalwork
Color	Metallic Silver, Semi-Transparent
Design Class	Open Editions

About Oneseo Choi Visit Showroom →

Oneseo Choi is a designer and visual artist based in Korea. He explores the latent aesthetic possibilities in functional objects. By discovering unexpected sensory qualities in overlooked elements such as industrial materials or manufacturing processes, he connects these findings with new media, spaces, and discourses. He then builds a unique narrative and sculptural language, which he presents through exhibitions. Through this practice, he redefines the scope of utility or distances himself from it, employing humor to rearrange the hierarchical perceptions of everyday life.