“Lampett” Candle Holder 2

by Åsa Jungnelius

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Anatomy and its social implications are not necessarily the most common subject matter and influences when it comes to interior and product design. What may first come to mind would be the gilded marble sculptures and embellishments typical of the Victorian era, roman revival works, but this is not what you will get with the works of Swedish designer Åsa Jungnelius. Multicolored, blown-glass, wall mounted candlestick holders complete with fluorescent pubic hair brings a light air to the more serious political and social subject matter, this intersectionality of her works acts as the perfect commentary for the time in which we live.

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About Åsa Jungnelius Visit Showroom →

Åsa Jungnelius is a visual artist (MFA) and a Lecturer at Konstfack, University College of Arts, Crafts and Design, based in Stockholm and Månsamåla. Her work is often material-related and goes from interiors to monumental formats where our bodies’ relations, the objects we surround them with and the rooms they act in together are investigated through a material language. The constant positioining of material in the intersection of economy, ecology and the social describes the preconditions for the time in which we live. The objects become a sort of fetish of ourselves as individuals and our contemporary condition. Jungnelius is Artistic Director of Residence-In-Nature and works on a public artwork, The Seashell, for the extension of the Stockholm metro (2016) Her work has been exhibited at Tensta Konsthall (2007) Crystal (2011), Norrköpings konstmuseum (2011), and as site-specific work in Hötorgshallen commissioned by the City of Stockholm (2013). Kalmar konstmuseum (2013), Chamber N.Y (2017) Dunkers kulturhus (2017) Fullersta gård (2018) ArkDes (2018) He Xiangning Art Museum in Shenzhen (2018) and Luleå Biennalen (2019). Jungnelius was from 2007 to 2013 a designer at Kosta Boda. She was part of founding WeWorkInA FragileMaterial (2003-2010) and today runs LASTSTUDIO.
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