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Jazz Fan

by Szostak Atelier Poland

Ships in 16 weeks
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Jazz Fan

This is a Limited Edition of 3
How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
Can be customized upon request
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Description

Massive retro yet futuristic fans are the most recognisable of Szostak Atelier’s pieces.
Jazz Fan is a part of the flagship Finish Collection made for the studio reopening in 2021.

It is entirely handcrafted with stunning attention to detail. Made of premium materials – wenge wood, stainless steel, vegetable-tanned leather and dacron.

Two Jazz Fans made in teak wood are available as made-to-order.

The fan is equipped with a motor of 200W/12V with a potentiometer and smooth speed adjustment system. The set includes a transformer box with ICE female socket AC power port.

Weight (kg)	39
Production Year	2020
Material	Dacron, Stainless Steel, Wenge Wood
Discipline	Wood & Cabinetmaking
Color	Brown, Steel, Wengé
Design Class	Limited Editions
Number of Editions	3
Dimensions LxWxH	70x78x90cm (28x31x35'')
Variation	Teak Wood, Wenge Wood
Number Of Pieces Created	3

About Szostak Atelier Visit Showroom →

Witold Szostak, inspired by his father who was an architect, studied architecture at Cracow University of Technology, however his huge passion for creating objects and a close work with various materials led him to become a designer and a craftsman. Witold’s creative narrative behind each creation is a subject of immense interest and intrigue. His proficiency to work with different materials like stainless steel, aluminum, different types of wood as well as ceramic, glass fiber, leather and concrete is distinctly visible in his designs and offers him a broader perspective to create unique handcrafted items that are very artisanal and functional. What Witold finds most fascinating about craftsmanship and what you can definitely observe in his works might be explained by his favourite quotation by J. Archer: “If you ever come across a piece of pottery that is perfect, you can be confident that it was produced by a machine. With pottery, you must seek near perfection. If you look carefully enough, you will always find some slight blemish that serves to remind us that the piece was crafted by a human hand. The longer you have to search, the greater the craftsman, for it was only Giotto who was able to draw the perfect circle.” Near perfection is perfection itself when it comes to handmade items, claims Witold.