Drawn to exploring the infinite possibilities of porcelain translucency, fine artist and designer Sarah Tracton handcrafts lighting that is luminous, experimental and ethereal. To achieve her lighting’s remarkable diaphanous effect, Sarah honed her artistry at the National Art School in Sydney, mastering an unique technique of pouring clay slip on a plaster slab, then heightening its luminous properties by adding iridescent colours to the porcelain, which results in exquisite celestial translucency when internally lit. She repairs the porcelain which has shattered in firing stages with Kintsugi gold leaf technique, combating wasting with circular economy. A dual existence as fine art and function design. Each lit surface reveals unique one-of-a-kind idiosyncrasies, embracing the intriguing variations inherent in the handcrafting process.
