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Geta – Porcelain Pot

by Clemence Birot France

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Geta - Porcelain Pot

This is a Limited Edition of 15
How is this defined? A set of pieces produced in a predetermined quantity, typically no more than 30, and uniquely numbered either on the item itself or on the accompanying certificate of authenticity. Although generally uniform in design, slight variations may exist due to the handcrafted nature of the pieces.
Can be customized upon request
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Description

The Geta porcelain series is inspired by the Japanese Geta sandals. The pot and the bowl stand on two feet as a small detail to keep the general shape as pure as possible and hight light the material. Both are made of porcelain bisque partially enameled with cobalt blue glaze.
Geta porcelains are hand made so colors and finishes may vary slightly.

The porcelain bisque is a porous material so we must avoid stagnant liquids inside.
Foodgrade
Wipe clean and dry after each use with a soft, dry cloth.

Dimensions LxWxH	17x17x17cm (7x7x7'')
Weight (kg)	1
Production Year	2023
Material	Ceramics, Glazed Ceramic, Porcelain
Discipline	Ceramics And Stoneware
Color	Cobalt Blue, White Ceramic
Design Class	Limited Editions
Number Of Pieces Created	15

About Clemence Birot Visit Showroom →

When I started my career in Copenhagen, Denmark, I discovered a design practice closely related to craftsmanship. The latter plays an avant-garde role. Motivated by a free artistic practice and enriched by its know-how, it dictates the exploratory and innovative dynamic in the design process. Thus in the design studios I worked for, I frequently collaborated with artisans for the product development (tableware, interior accessories). Their know-how led me to the constant research of a unique result where the material is respected and despite technical challenges always in focus. The material itself occupies this central place throughout all the project. Back in France, I hold on to this collaborative approach with craftsmen, whether for the initial phases of creation or for bespoke pieces production. At a time of mass production, the product origin is often vague, far from our territories and our values. Today, I wish to go further in this process of enhancing hand intelligence and unique know-how, while producing ethically and locally. In this spirit I develop a range of objects in small series, with clean shapes, through which I claim this attachment to natural and sustainable materials, a timeless design far from industrial standard. All these objects are manufactured in France or in Europe, as close as possible to the places of the raw materials production, by craftsmen with outstanding know-how.