"Flow" Wall Mirror

by Rive Roshan

3.950 Incl.0% TAX

1 in stock

Insured Delivery: 395
Est delivery: Jan 22nd, 2022
Shipping to :

Dimension LxWxH (cm): 58x56x7
Limited Editions Material : 3D Printed Sand, Mirror
Buyers protection
  • Certificate of Authenticity A signed certificate from the maker is always included in the box.

  • Lowest price guaranteed Find a lower price from the seller, we'll match it.

  • Secure online transactions All personal information that you send to us is encrypted and cannot be viewed by others.

  • 100% insured global deliveries We arrange worldwide delivery, and every shipment no matter the price is fully insured against damages.

  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Questions? Ask the maker.
Request customation Make an offer Chat with the maker

Message

DOWNLOAD CATALOG (PDF)

Description

This piece features 3d printed natural sand, freezing free-flow motion into a still sculptural wall mirror.

The “Flow” Wall Mirror is made out of natural sand from Bavaria and has a bronze mirror.

Hanging system included, must be drilled into the wall.

Additional information

Weight 11 kg
Dimensions 63 × 61 × 13 cm
Dimensions LxWxH (cm)

Weight (kg)

Production Year

Material

,

Discipline

Color

Design Class

Number Of Pieces Created

About the designer


Rive Roshan

Curated by

The body of work in this collection consists of pieces by Greek designers of the mainland and the diaspora, or international professionals who live and work in Greece. As a common theme we tackle the elusive notion of “Greekness” and how this transpires through the work of seemingly diverse and distinct individuals. In our attempt to define “Greekness”, we aim to raise questions about how this plays out in the work presented. How do Greek designers view their identity? Is it through their effort to decipher their heavy heritage? Is form important in order to achieve a predisposed classic elegance, or is a philosophical disposition towards shape more poignant? Could it be simply a resourcefulness and DIY ethic to make up for the absence of design infrastructure? How do Greek designers based abroad deal with their background? Could it be that they simply ignore it in order to finally free themselves? Is there a certain amount of innovation necessary in order to channel it into the new environment? Finally, how do foreign designers see their work influenced by their Greek surroundings? Is it the reference through the use of noble materials such as marble or the abundance of natural light that makes their work unquestionably Greek? Or could it be something else they were seeking when they decided to move here, something abstract like humour or drama? Could their arrival finally mean a departure from Greek heritage’s self-reference? The pieces that we present might seem ill-matched, but they share an important core element. They are confident in their narrative of a personal story of identity, that is either at peace or against the Greek archetype. Through this communication, they all describe a culturally mature and vibrant scene that is finally extroverted and coming of age.