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Dual Handle Little Rock Vase

Dual Handle Little Rock Vase
by Ugly Things et al. United States (US)

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Dual Handle Little Rock Vase

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Dual Handle Little Rock Vase

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Dual Handle Little Rock Vase

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Description

This hand-built ceramic vase features a distinctive double-bulb form with a narrow waist connecting two rounded chambers. The body showcases the raw clay texture in a rich charcoal tone, left intentionally unglazed to highlight the natural material and handcrafted quality.

The surface is decorated with hand-placed clay inlays in various earth tones including ochre, rust, cream, and pearl. Each small stone-like element is individually formed, glazed, and carefully embedded into the surface before firing, creating tactile contrast and visual interest across the entire piece.

This piece is fully watertight and functional for fresh flower arrangements, or can be used with dried botanicals. It also works well displayed on its own as a decorative art object.

Dimensions LxWxH	16x10x18cm (6x4x7'')
Piece Weight (kg)	0.9
Production Year	2025
Material	Ceramics, Stoneware
Discipline	Ceramics And Stoneware
Color	Black, Charcoal Black
Design Class	Unique Pieces

About Ugly Things et al. Visit Showroom →

Ugly Things et al. is a Los Angeles–based ceramic studio creating modern craft objects that merge ancient sensibilities with contemporary design. Founded by artist Zou Chen, the practice centers on hand-built vessels that draw inspiration from California’s geological landscapes—eroded cliffs, sediment layers, and shifting terrain. On her hikes through the wilderness, Zou forages for wild clay and local pigments, incorporating materials from the Santa Monica and San Gabriel Mountains into her work. These elements infuse each piece with a physical connection to the land—vessels shaped not only by hand but by time and earth. Every object is constructed slowly and intuitively, often featuring embedded stone forms, torn seams, and gestural surfaces that echo erosion, memory, and movement. These pieces function as both containers and contemplative sculptures, occupying space somewhere between the ceremonial and the everyday.