This triptych offers a profound exploration of natural forces and geological patterns, presenting a harmonious yet dynamic composition across three distinct panels. Each panel is an immersive study of swirling textures and organic movement, evoking the raw beauty found in polished stone, deep-earth minerals, or the vastness of cosmic formations.
The dominant palette is a rich spectrum of earthy browns, from deep umber to warm sienna, interwoven with striking veins of contrasting white, creamy beige, and subtle hints of dark grey or black. These lighter elements appear to surge and flow, creating intricate patterns that mimic natural processes like sedimentation, crystallization, or the erosion of ancient landscapes. The artist employs a technique that suggests depth and translucency, with layers of color and texture appearing to overlap and recede, giving the impression of polished geological cross-sections. The overall effect is one of fluidity and continuous transformation, with each panel contributing to a larger narrative of natural artistry.
Stylistically, this triptych firmly belongs to Material Abstraction and Abstract Expressionism, with strong influences from Nature-Inspired Abstraction and Fluid Art due to its dynamic, flowing patterns. It transcends literal representation, inviting the viewer to contemplate the grandeur and complexity of natural phenomena on both a macro and micro scale.
Materials: clay, natural pigments and cellulose, coated with linseed oil. on a base of pressed cellulose fibers and plywood.
| Dimensions LxWxH | 90x45x2cm (35x18x1'') |
|---|---|
| Piece Weight (kg) | 5 |
| Production Year | |
| Material | Bio Pigments, Earthenware, Natural Fibers, Natural Stone, Sand |
| Discipline | |
| Color | |
| Design Class |
