Cornice Vessel – Rib 16x, Monolith, Pitch Black
by Lenny Stöpp Netherlands

2.328 incl. tax
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Description

Cornice by Lenny Stöpp is an evolving collection of vessels born from a deep exploration of the traditional craft of running cornice. For centuries, this technique has adorned interiors and exteriors with intricate plasterwork, carrying with it a legacy of ornamentation often perceived as antiquated. However, in reimagining this method, a compelling dialogue emerges between past and present. By honoring the historical essence of the craft while reshaping its purpose, these contemporary forms transcend mere decoration. The process involves crafting hollow molds and substituting traditional plaster with alpha crystalline gypsum, allowing these once-static embellishments to become functional objects. In this transformation, the technique is not only revived but redefined, shedding its association with obsolescence and finding new relevance in the modern world.

All pieces are handmade and therefore unique.
The roughness and refinement of each vessel will be different.
And there will be slight variations in the distribution of shades.

Dimensions LxWxH
Weight (kg)

25

Production Year

Material

Discipline

Color

Design Class

About Lenny Stöpp Visit Showroom →

-Introduction about my practice and the method of creation- My design process is deeply rooted in a hands-on exploration of materials. I engage with each element intuitively, allowing the act of making to shape the outcome. By reinterpreting existing techniques—particularly in how I construct molds—I challenge conventional approaches to everyday objects, transforming them through continuous research and experimentation. At the start of each project, I deliberately leave space for the unknown, letting the material’s inherent qualities guide the evolution of form and function. This openness invites a dialogue between process and outcome, where refinement emerges not from strict control but from a raw, unfiltered engagement with the medium.
A central ambition in my work is to navigate the balance between rawness and refinement. I consider how an object reaches a state of completion—both from my perspective and through the eyes of the viewer. The presence of the maker remains essential; traces of human touch imbue the final piece with character, grounding it in a personal and tactile reality.
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