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Angkha Diwan Upholstered Bench

Angkha Diwan Upholstered Bench
by Aku Zeliang India

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Angkha Diwan Upholstered Bench

This is One of a kind
How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Angkha Diwan Upholstered Bench

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Description

The Angkha Bench draws its inspiration from the vibrant hues and intricate designs of traditional Eastern Naga jewelry. This piece captures the essence of indigenous tribal communities in Eastern Nagaland, seamlessly blending cultural heritage with modern aesthetics. The bench’s bold, yet minimalist design highlights the fluidity and beauty of traditional craftsmanship while offering a contemporary expression. Perfect for adding a touch of uniqueness and elegance to any space, the Angkha Bench is a striking addition that brings cultural richness and artistic flair to interiors.

Handcrafted with naturally dyed cane and rattan edge binding on a wooden structure, featuring black cotton upholstery for a sleek, cohesive look.

Dimensions LxWxH	223x58x67cm (88x23x26'')
Weight (kg)	35
Production Year	2025
Material	Plywood, Rattan
Discipline	Weaving
Color	Black + Red
Design Class	Unique Pieces

About Aku Zeliang Visit Showroom →

Aku represents the second generation of designer-entrepreneurs in his family, carrying forward a legacy rooted in craftsmanship and cultural preservation. Since the early 1990s, he has played a pivotal role in reviving and promoting hand-woven artisanal textiles from Nagaland and its neighboring states through the brand Heirloom Naga. His efforts have not only brought national recognition to these indigenous weaving traditions but have also provided sustainable livelihoods to rural artisans. In parallel, through Cane Concept, Aku has redefined regional crafts by introducing them to a contemporary design language, blending traditional techniques with modern aesthetics. His work continues to bridge the gap between heritage and innovation, placing Northeastern craft traditions on a global design map. He finds synergy between indigenous and contemporary design, seamlessly blending traditional art forms with modern aesthetics and giving them powerful representation through meaningful collaborations and curated platforms. Zeliang also seeks to elevate tribal designs to global recognition, fostering economic opportunities for artisans, uplifting community livelihoods, and actively preserving, protecting, and promoting the rich cultural heritage of tribal communities.