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Angkha Divider

Angkha Divider
by Aku Zeliang India

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Angkha Divider

This is an Open Edition
How is this defined? A series of pieces that are not restricted by any predetermined volume limit. Each item is meticulously produced by the designer or in collaboration with skilled local artisans, resulting in a limited quantity of unique pieces. If stated, each item may exhibit slight variations due to its handcrafted origin.
Can be customized upon request
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Angkha Divider

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Description

The Angkha Room Divider draws inspiration from the vivid colors and intricate designs of traditional Eastern Naga jewelry. The piece honors the diverse forms and rich heritage of the tribal communities of Eastern Nagaland, capturing the essence of their indigenous craftsmanship. With a clean, minimalist design, the divider creates a striking contrast between tradition and modernity, making it a perfect addition to any interior. This room divider brings a sense of cultural depth and contemporary elegance, serving as both a functional and artistic element in your living space.

Product is woven with naturally dyed cane with one type of cane weave on wooden structure and a complex rattan edge binding

Dimensions LxWxH	182x3x198cm (72x1x78'')
Weight (kg)	5
Production Year	2023
Material	Rattan, Wood
Discipline	Weaving
Color	Black, Natural
Design Class	Open Editions

About Aku Zeliang Visit Showroom →

Aku represents the second generation of designer-entrepreneurs in his family, carrying forward a legacy rooted in craftsmanship and cultural preservation. Since the early 1990s, he has played a pivotal role in reviving and promoting hand-woven artisanal textiles from Nagaland and its neighboring states through the brand Heirloom Naga. His efforts have not only brought national recognition to these indigenous weaving traditions but have also provided sustainable livelihoods to rural artisans. In parallel, through Cane Concept, Aku has redefined regional crafts by introducing them to a contemporary design language, blending traditional techniques with modern aesthetics. His work continues to bridge the gap between heritage and innovation, placing Northeastern craft traditions on a global design map. He finds synergy between indigenous and contemporary design, seamlessly blending traditional art forms with modern aesthetics and giving them powerful representation through meaningful collaborations and curated platforms. Zeliang also seeks to elevate tribal designs to global recognition, fostering economic opportunities for artisans, uplifting community livelihoods, and actively preserving, protecting, and promoting the rich cultural heritage of tribal communities.