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Angkha Coffee Table

Angkha Coffee Table
by Aku Zeliang India

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Angkha Coffee Table

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How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
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Description

The Angkha Coffee Table takes inspiration from the bold, vibrant colors and intricate patterns of traditional Eastern Naga jewelry. This piece embodies the fusion of indigenous forms and contemporary design, capturing the essence of the tribal communities of Eastern Nagaland. With its minimalist structure and striking aesthetics, the coffee table is an homage to traditional craftsmanship while offering a modern expression. Perfect for both contemporary and eclectic interiors, this table adds a touch of cultural richness and artistry to any living space.

Product is woven with naturally dyed cane with one type of cane weave on wooden structure and a complex rattan edge binding

Dimensions LxWxH	132x76x14cm (52x30x6'')
Weight (kg)	22
Production Year	2025
Material	Plywood, Rattan
Discipline	Weaving
Color	"Negro" (Black), Natural
Design Class	Unique Pieces

About Aku Zeliang Visit Showroom →

Aku represents the second generation of designer-entrepreneurs in his family, carrying forward a legacy rooted in craftsmanship and cultural preservation. Since the early 1990s, he has played a pivotal role in reviving and promoting hand-woven artisanal textiles from Nagaland and its neighboring states through the brand Heirloom Naga. His efforts have not only brought national recognition to these indigenous weaving traditions but have also provided sustainable livelihoods to rural artisans. In parallel, through Cane Concept, Aku has redefined regional crafts by introducing them to a contemporary design language, blending traditional techniques with modern aesthetics. His work continues to bridge the gap between heritage and innovation, placing Northeastern craft traditions on a global design map. He finds synergy between indigenous and contemporary design, seamlessly blending traditional art forms with modern aesthetics and giving them powerful representation through meaningful collaborations and curated platforms. Zeliang also seeks to elevate tribal designs to global recognition, fostering economic opportunities for artisans, uplifting community livelihoods, and actively preserving, protecting, and promoting the rich cultural heritage of tribal communities.