“Balaustri” Tableware Collection
by Gupica

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  • 14 days return policy In the rare event, you receive a piece that you are not fully satisfied with, you can return it within 14 days of receipt for a full refund except return shipping costs. Made-to-order items are not eligible for return.

Description

Inspired by the architectural shapes of columns used for protective and ornamental purposes, the “Balaustri” Tableware Collection explores the field of tableware and proposes a playful combination of pitchers and glasses.

Three different carafe models are available: one in the shape of a cylinder and two in the shape of a cone. The colors of the carafes can be combined in the same way with the glasses or they can be mixed.

All pieces in the collection have been created in borosilicate glass and handmade by an Italian glass master, each piece of the collection is unique.

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Variation

1 Conic (A) Carafe + 1 Glass, 1 Conic (A) Carafe + 2 Glasses, 1 Conic (A) Carafe + 3 Glasses, 1 Conic (A) Carafe + 4 Glasses, 1 Conic (A) Carafe + 5 Glasses, 1 Conic (A) Carafe + 6 Glasses, 1 Conic (v) Carafe + 1 Glass, 1 Conic (v) Carafe + 2 Glasses, 1 Conic (V) Carafe + 3 Glasses, 1 Conic (V) Carafe + 4 Glasses, 1 Conic (V) Carafe + 5 Glasses, 1 Conic (V) Carafe + 6 Glasses, 1 Cylinder Carafe + 1 Glass, 1 Cylinder Carafe + 2 Glasses, 1 Cylinder Carafe + 3 Glasses, 1 Cylinder Carafe + 4 Glasses, 1 Cylinder Carafe + 5 Glasses, 1 Cylinder Carafe + 6 Glasses

Country

About Gupica Visit Showroom →

Gupica is the brand and the artistic identity of Gunilla Zamboni. After completing a degree in Foreign Literature, she continued her studies in Florence focusing on the art of fresco and mural painting, completing her studies with a Master's degree in Peintre en Décor in Versailles, France. She later specialized in Interior Design at IED in Milan. She worked with Italian and French masters, honing the secrets and techniques of decorative painting in France and the study of design in Italy. The creative studio designs projects using a multidisciplinary approach, involving decorative arts, interior and product design, contemporary experimentation and craftsmanship. It is a transversal approach where decoration becomes a tool to propose useful codes to explore the expressive and sensorial dimension of the project. Attention to detail and a constant dialogue between contemporary and fragments linked to tradition are always distinguishing elements in the projects.
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